Word: visualizes
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...Visual art is a self-contradicting enterprise, a delicious and complex can of worms: it is, on the one hand, about making accessible the privileged visual psychology of a single individual-about lending one's own personal metaphysical lens to others. It is, at the same time, about an incommunicable intra-personal struggle, the sturm und drang plight of the soul and the extent to which its subjective experience is completely inexpressible...
...fact, to preserve the theoretical intentions of his piece "Sliding Down a Volcano With Kleenex Boxes as Skis," Lawrence Weimer resorts to a textual caption, since the visual image itself is apparently not enough. The drawing is strictly geometrical and almost devoid of a visual subject matter. Three bold black curves, each crowned with an unassuming hexagon, cut large swaths across the page (not, mind you, the canvass), and converge on a fourth prosaic stroke. It is almost entirely visually uninteresting and the negative space accounts for the vast majority of the framed image. It represents a feat...
...theoretically simple. Elementary school children tend to be less interested in art as an intellectual enterprise than as an exposition of beauty-an activity that plays on the pleasures of the sense. And while "Sliding Down A Volcano With Kleenex Boxes as Skis" is intellectually appetizing, its over-simplified visual schema doesn't have a leg to stand on in terms of beauty, especially the sort of colorful and kinetic beauty that often resonates with youngsters...
Lozenge, whose eclectic instrumentation consisted of an accordion/synthesizer, bass, drums, and junk percussion, lacked the visual flash of My Name is Rar Rar, but more than made up for it with sonic violence. Enduring taunts of “Vicks” and “Fisherman’s Friend” from the crowd, Lozenge played with unbridled enthusiasm, literally bringing down the house when the band leader stood on the table in front of the stage, and pulled down several sections of the posterboard ceiling. It was a fitting mark to leave; if the place hadn?...
Lusztig spent four years researching, shooting and editing Reconstruction. However, she already has a distinguished body of student work. Lusztig graduated with a joint concentration in East Asian Studies and Visual & Environmental Studies from Harvard. Her thesis film, For Beijing with Love and Squalor, which she shot in China during her time as a student at the Beijing Film Academy, has been shown at several film festivals throughout the US, East Asia, and Europe. She also has made one short film, entitled Crema Roz. Her future plans include pursuing a Ph.D. in film in London and researching a film...