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Having proven his considerable prowess helming small, intimate films (Juliet in Love, Bullets Over Summer), director Wilson Yip tackles this grand scale event with mixed results. On one hand, his flair for the visual aesthetic has never been better. Skyline Cruisers easily matches the blockbuster Hollywood action films in scope and grandeur; none of the cost-cutting so common in Hong Kong productions is to be found here. Yip gets the most visually out of every cent in his large budget. The futuristic architecture of Kuala Lumpur is photographed to its best advantage, and it is a rare shot indeed...

Author: By Marcus L. Wang, CONTRIBUTING WRITER | Title: Cruising The 'Skyline' In Style | 4/20/2001 | See Source »

...known about the neurological disorder. Clara became psychologist, teacher and anthropologist, sieving through the evidence of Jessy's odd behavior for clues to her mysterious malady. As a child, Clara writes, Jessy sometimes seemed to neither see nor hear--she gazed through people as through glass--yet her visual perception was so acute that she could assemble puzzles picture-side-down, and her ears detected the faintest buzz, hum or click of a household appliance. Though she did not acquire a usable vocabulary until she was five, a few years later she effortlessly mastered arcane mathematical concepts and Morse code...

Author: /time Magazine | Title: Families: Portrait of the Autist | 4/16/2001 | See Source »

...remaining student works also tried to make music visual. Elizabeth N. Waterhouse’s ’01 “Lindy Suite”combined ballet and swing dancing to Duke Ellington after Tchaikovsky into a successful and entertaining combination. Another example of this experimental effort could be seen in Kathy E. Crewe’s ’00 tenuous but intriguing “El Ritmo,” a tap dance to the Santana hit by the same name. The dancers let the rhythm flow through them, and were the focus of the concert...

Author: By Theresa A. Botello, CONTRIBUTING WRITER | Title: Dance Viewpointe | 4/13/2001 | See Source »

...objects importance as a cultural artifact. Does this redefinition mean that a slaves quilt ought to receive the same artistic consideration as a Vermeer or a Raphael? The MFA itself offers few clues. Folk art, according to the MFA, is art for the people by the people, a visual demonstration of America’s democratic values. All Americans, at least in MFA literature, can produce art. Theory aside, “American Folk” is no grand curatorial achievement. Within the space that has held Van Goghs hang quilts, family portraits and marriage contracts. American Folk should...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Folk Implosion | 4/13/2001 | See Source »

...media has even manipulated visual images of the conflict, which convey its desired message vividly and succinctly to the widest possible audience. During the early days of the most recent wave of Palestinian violence, for example, newspapers across the world, including The New York Times and the Boston Globe, published a photograph of a bloodied man crouching before a baton-wielding Israeli policeman, beneath which the following caption appeared: "An Israeli policeman and a Palestinian on the Temple Mount." In fact, it was later revealed that the "Palestinian" was actually an American Jewish student, Tuvia Grossman, who had been visiting...

Author: By Matt A. Rojansky, | Title: Reviving Ethical Journalism | 4/12/2001 | See Source »

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