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...Crawfords, Austen's villains, are noticeably less distasteful and quite unabashedly sexual; in general, characters are more unguardedly flirtatious, witticisms a little sharper, plot changes less subtle; and crowning it all is the "sex scene". The infidelity discovered via implication in a letter in Austens novel becomes a visual, shocking debacle in the film, quite in character with the brash nature of the adaptation. Amazingly, the director has planned her story in a way that makes this acceptable by keeping with her more open, admittedly "extreme" tone throughout the movie, Rozema has us prepped for what would be the unthinkable...

Author: By Benjamin Cowan, CONTRIBUTING WRITER | Title: New Mansfield Park Surprisingly Racy | 11/12/1999 | See Source »

...cheap, nowadays, so cheap you'd be amazed at the level of conversation which the remake thinks is worth your time. Forced to be expressive in a medium in which dialogue could only be written on intermittent frames, Buster Keaton, film pioneer and comedy legend, relied instead on visual complexity and sophistication: carefully wrought facial reactions, exquisitely timed double takes, graceful slapstick and outrageous acrobatics. He was a master of both subtlety and extravagance--he was called "Old Stoneface" for his constant deadpan which could somehowwhere the facade of a house falls over on him but doesn't touch...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: Bachelor for Life: O'Donnell Flops Again | 11/5/1999 | See Source »

Indeed the result was quite spectacular. Technically, the play was a sensory splendor--most arresting on the visual plane, but pleasing to more senses than just the eyes. What is immediately apparent is the role of inanimacy in this production, the unspoken heroics of sound and lightning, although purists might have viewed this aesthetic exhibition as more of a reliance than a means to an end. Admittedly, the very hipness of the event did at times seem incongruous with the apparent simultaneous desire for austerity, which is difficult to completely discount with Marlowe's text and the Faust legend...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Faustus Takes a Turn for the Darker | 11/5/1999 | See Source »

...film to the limit," even if this means redefining our notion of cinematic storytelling. From black albinos to Thalidomide victims to singers in a gospel church, these unusual and memorable images take the place of well-developed themes or plots in Korine's artistic universe, reflecting the psychological and visual chaos of our own unpredictable realities...

Author: By Matthew B. Sussman, CONTRIBUTING WRITER | Title: Spunky donkey a Little Too Funky | 11/5/1999 | See Source »

...film is likely because of its unconventionality. As the first American "Dogme 95" film, a Norwegian cinematic movement that calls for the "stripping down of film," donkey-boy was shot using hand-held cameras and without written dialogue or special lighting and sound. Throw in some low-tech visual effects (superimposing, slow motion, etc.), and the result is a visual spectacle unlike anything in the American film tradition. Rumor has it that Steven Spielberg is planning his own "Dogme" film, and, though doubtlessly it will conform to most of his predictable conventions, it does suggest the potential for a more...

Author: By Matthew B. Sussman, CONTRIBUTING WRITER | Title: Spunky donkey a Little Too Funky | 11/5/1999 | See Source »

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