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...splashy, one could argue that Powell's gift best manifests itself in smaller, brocade-free dramas such as Hilary and Jackie. Powell's mod clothes never overwhelm the tale of the relationship between the impassioned cellist Jacqueline du Pre and her sister, but instead lend a keen visual intensity to the women's profound differences. As Jackie becomes increasingly famous--and depressed--her knits seem to get more blindingly pink and blue; Hilary, meanwhile, recedes into neutrals. The look stays with you--Powell's work, it seems, never fades to black...

Author: /time Magazine | Title: Cinema: Designing Woman | 2/22/1999 | See Source »

...anyway? B4 we interview him I'd like to know. =@)" Admittedly, the "B4" and "=@)" were lame and unnecessary--I was towards the end of a brief and disastrous experimental period with special e-mail shorthand and parenthetical-math sign-smiley faces. But the electronic response did not critique this visual jargon; instead, what I received was a nasty and merciless attack on my cultural skills and knowledge...

Author: NO WRITER ATTRIBUTED | Title: Cultural Ignorance | 2/18/1999 | See Source »

...contrast to Harvard's myriad theatrical productions, concerts and coffee-house-readings, there is a distinct paucity of visual art mounted by students for public display. An anomaly in the Harvard art world, the exhibition of student work by Elizabeth Lakshmi Kanter '99 in Eliot Basement reaches a caliber of aesthetic quality sure to inspire an increase in independent student showings. Comprised of work by six student artists, the intense subject matter of "Departures, Losses, Separations", is well suited to the intimate exhibit space of the basement-turned-gallery...

Author: By Amy G. Piper, CRIMSON STAFF WRITER | Title: DEPARTURES, LOSSES, SEPARATIONS: STUDENT PHOTOGRAPHY | 2/12/1999 | See Source »

...fresh use of light and the contrast between dark and light, outside and in was the contribution of Summer Bartholomew '99 nod to the theme of the exhibition. The work of a creatively astute eye, her enigmatic photographs capture loss through the visual language of decaying architecture, barns and outsides of buildings...

Author: By Amy G. Piper, CRIMSON STAFF WRITER | Title: DEPARTURES, LOSSES, SEPARATIONS: STUDENT PHOTOGRAPHY | 2/12/1999 | See Source »

While there was no glitz to this cozy production, it works. Though thumbtacked and frame-less, the photographs clearly demonstrate the talent of the artists and their passion for their subject matter. With any luck "Departures, Separations, Losses" will set a precedent for increased independent visual art shows on the Harvard campus...

Author: By Amy G. Piper, CRIMSON STAFF WRITER | Title: DEPARTURES, LOSSES, SEPARATIONS: STUDENT PHOTOGRAPHY | 2/12/1999 | See Source »

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