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...predictable, which keeps the movie from really lifting off. Cameron Diaz, Ben Stiller and Matt Dillon all give their best shot to keeping the ball in the air, but for one thing, their presence is almost arbitrary in many scenes to the extent that Mary's humor is all visual and only rarely connected to dialogue; poor Cameron could be reciting Rilke beneath those "hair gel"-enhanced bangs and no one would know the difference. Then again, everyone else seems to have had a ball. Whatever there is about Mary, I didn't really get it. Nicholas K. Davis...

Author: NO WRITER ATTRIBUTED | Title: BREVITAS | 10/2/1998 | See Source »

Incongruity aside, this first pan through the Ant Colony is sure to be the newest addition to the hall of mainstream animation fame. Like the Wildebeast stampede in The Lion King or the ballroom sequence in Beauty and the Beast it is difficult not to be enraptured by this visual tour of the capital of ant farms. As you'd expect, listening to Woody Allen complain about "never being able to lift more than ten times his body weight" is funny, but in Antz, it is the panorama that steals the show. The casting choices made by Dream Works...

Author: By Carla A. Blackmar, CONTRIBUTING WRITER | Title: Diversity of Disney: Anxiety, Allen and Tale of Ants | 10/2/1998 | See Source »

Isaac Julien, an independent filmmaker and visiting lecturer, is teaching the seminar, which examines how social and cultural dilemmas are depicted in the visual arts...

Author: By Gregory S. Krauss, CRIMSON STAFF WRITER | Title: VES Course Explores Queer Cinema | 9/24/1998 | See Source »

...first visual exposure to it," he said of the transsexuality depicted in the documentary...

Author: By Gregory S. Krauss, CRIMSON STAFF WRITER | Title: VES Course Explores Queer Cinema | 9/24/1998 | See Source »

Unvexed by boring details, which usually just compound the implausibility of action movies anyway, we are free to appreciate the sheer stylishness of Ronin. This derives from the counterpoint between Mamet's verbal manner--weary, knowing, elliptical--and director John Frankenheimer's bold visual manner...

Author: /time Magazine | Title: Cinema: Abstractly Expressive | 9/21/1998 | See Source »

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