Word: visualizes
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While many first-years dealt with their disappointment through vocal outbursts, others took a more visual approach. "Hug me, I got Mathered," read one sign in Stoughton Hall...
...questioned my insight into Southern history. Perhaps they need to become familiar with works such as Richard Wright's Black Boy or Martin Luther King's Why We Can't Wait. Or perhaps they should view documentaries of the civil rights movement such as "Eyes on the Prize." These visual records illustrate Dixie's depravity and demonstrate the rebel flag's racist connotations--in the turbulent '50s and '60s, no good segregationist was seen without the stars and bars, which was frequently emblazoned on a vest or embroidered on a Ku Klux Klan robe...
...date that makes them wholly his, whether he's doing gangster films (As Tears Go By, Fallen Angels), young-rebel dramas (Days of Being Wild) or kung-fu sagas (Ashes of Time, a film so beautifully bizarre it might be the first Martian-arts movie). The elements of his visual style: nightscapes (bars, beds, jukeboxes); sulky boys in white shirts; anomie punctuated by awful violence; murky lighting, as if scenes had been shot underwater and daubed with squid ink; and--Wong's trademark trope--pixilated slow motion that gives every fight end-of-the-world import and makes even...
Cohen's girlfriend, Emily J. Bowen '97 was also on the Lampoon her first year. A visual and environmental studies concentrator, Bowen joined the Lampoon as an artist...
More important than the plot itself is the director's distinct visual style: largely based upon carefully composed, lingering views of the landscape, usually culminating at some point with a striking tableau that freezes in one's mind even as the camera keeps moving. Angelopoulos captures unforgettable images in scenes with the most carefully constructed, basic of elements: for example, the juxtaposition of a group of people and policemen, the one under wet, dark umbrellas and the other shining wisp-like lights. Angelopoulos works with a ponderous grace as if searching for the same pure style that A. seeks...