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...Visual and Environmental Studies 156ar. Intermediate Film Animation...

Author: NO WRITER ATTRIBUTED | Title: A Quickie Guide to Picking Courses | 9/16/1994 | See Source »

...Visual and Environmental Studies 104r. Body (parts), Identities, Powers: "...The second half addresses contemporary issues, including the modernist occlusion of the face, the totalitiarian power-head, and the cinematic face, ending with the 'probe-head...

Author: NO WRITER ATTRIBUTED | Title: A Quickie Guide to Picking Courses | 9/16/1994 | See Source »

Departments such as Visual and Environmental Studies and Linguistics have had to fight tooth and nail for enough faculty appointments to meet the needs of concentrators...

Author: By Sarah J. Schaffer, | Title: Gov't Dept. Retreats To Maine | 9/12/1994 | See Source »

Carter was painfully aware of the photojournalist's dilemma. "I had to think visually," he said once, describing a shoot-out. "I am zooming in on a tight shot of the dead guy and a splash of red. Going into his khaki uniform in a pool of blood in the sand. The dead man's face is slightly gray. You are making a visual here. But inside something is screaming, 'My God.' But it is time to work. Deal with the rest later. If you can't do it, get out of the game." Says Nachtwey, "Every photographer...

Author: /time Magazine | Title: The Life and Death of Kevin Carter | 9/12/1994 | See Source »

Except, of course, that Stone doesn't let you stand back. NBK plunders every visual trick of avant-garde and mainstream cinema -- morphing, back projection, slow motion, animation and pixillation on five kinds of film stock -- and, for two delirious hours, pushes them in your face like a Cagney grapefruit. The actors go hyper-hyper, the camera is ever on the bias, the garish colors converge and collide, and you're caught in this Excedrin vision of America in heat. The ride is fun too, daredevil fun of the sort that only Stone seems willing to provide in this timid...

Author: /time Magazine | Title: CINEMA: Stone Crazy | 8/29/1994 | See Source »

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