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Despite these assurances, peace and security are still lacking. Palestinians have paid a heavy toll for Israel's unwillingness to disarm the settlers or bring in international observers. While censorship of foreign media has made visual evidence difficult to come by, smuggled video tapes show the harrassment, and sometimes brutality, which Palestinians are subject to. International doctors who have worked in the occupied territories report that they have treated patients that had less than a handful of ribs left unbroken...

Author: By Rami A. Thabet, | Title: Palestinian Anxiety Is Warranted | 3/4/1994 | See Source »

...artistic force of this production, however, was the difficult and important role danced by the female corps de ballet. Swan Lake challenges the 32-member corps to match and refine their movements into one coherent unit, synthesizing their complex array of patterns and moods into a synchronized succession of "visual feasts." Despite a few mis-timed steps and occasionally uneven spacing, the corps de ballet was largely successful in creating its elegant illusion of swanhood...

Author: By Edith A. Replogie, | Title: Swan Lake Keeps Neck In | 3/3/1994 | See Source »

First decide whether you are going to be pretentious or populist. Here's a quick way to tell: if you talk about "visual spectacle " and "narrative continuity," you're pretentious. If you tend to say things like, "a must-see! Fun for the family!" then you're a populist. Not that there is a right side or a wrong side to be on, of course. But you have to pick a side and stick to it. Imagine Stanley Kaufmanns describing any given movie as a "lollapalooza of a film," or Gene "I loved it!" Shalit speaking of the auteur...

Author: By Jeremy A. Dauber, | Title: So, You Wanna Be a Critic? | 2/26/1994 | See Source »

...exhibition is certainly a fascinating theoretical exploration, but it is also a very beautiful visual experience. The collection of things that have been assembled for this show is quite extraordinary, and it is unlikely that such depth in such a limited collection (there are sixty-five pieces in the show) is to be found anywhere else. Drawing on private collections as well as the hoarded goodies of various Harvard museums, Dilnot has compiled a truly weird and very quirky medley. Moreover, each piece in itself is quite wonderful, from carved lindenwood sculptures to Arman's Venus, a polyester torso stuffed...

Author: By James R. Murdoch, | Title: "Object" of Desire | 2/24/1994 | See Source »

...subtitle of his book, that one of the primary motivations for writing The Queen's Throat is a "desire to explain desire,". And indeed, the book is liberally sprinkled with personal anecdotes that serve to illustrate the many-faceted sensual appeal of the opera world. These range from the visual (such as Joan Sutherland's misaligned and garish lipstick on an album cover or the combination of Renata Tebaldi's ample bosom and her tight costume on the over of Aida) to the aural (Marilyn Horne singing "Mon coeur" from saint-Saen's Samson and Delilah, Anna Moffo's delivery...

Author: By Jefferson Packer, | Title: The Phantoms of Opera's Divas | 2/24/1994 | See Source »

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