Word: visualizes
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Carpenter Center for the Visual Arts. Through Nov. 15. "Works and Texts: Twenty-Five Proofs and Nine Screen-prints." Featuring works by Tom Phillips from Dante's Inferno...
...Burton's movies are continually faulted for being visual feasts without plots. More like cartoons than live-action films, they are heavy on surreal style and light on story development. Luckily, his leads are generally more cartoonish than real anyway: Pee Wee Herman, Beetlejuice and Batman. But as "Batman Returns" hinted, even these films are too limiting for Burton. With "The Nightmare Before Christmas," Burton may have found the ideal vehicle for his sensibilities: an actual animated feature totally free from the constraints of actors...
...next presentation, featuring artist Ned Kahn and agro-ecologist Catherine Sneed, will take place on November 18 at the Carpenter Center for the Visual Arts...
From this description it's clear that TeX is not "WYSIWYG," or "What You See Is What You Get." With a WYSIWYG formatter, a document is displayed on screen as it will be printed on paper, so the user has a visual idea what the final product will look like...
...Opera embraced the trend with not one but three premieres on successive nights: Lukas Foss's Griffelkin, Hugo Weisgall's Esther and, most provocatively, Ezra Laderman's Marilyn (yes, that Marilyn). All three were designed by Jerome Sirlin (who did Broadway's Kiss of the Spider Woman), a dazzling visual stylist whose fluid use of video projections instead of built sets annihilates space and time and gives his productions an exhilarating sense of visual freedom...