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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...good, workmanlike thriller, I Confess, is only fair-to-middling Hitchcock. Unlike his best movies, it is often verbal instead of visual. There is a talky courtroom trial and, unusual for Hitchcock, a soggily sentimental flashback depicting a romance between the priest before he entered the church and a girl (Anne Baxter) who later marries a member of the Quebec Parliament. In the leading role, Montgomery Clift frequently appears more deadpan than stoical. Most authentic touches: Karl Malden's portrait of a hard-working detective and some real Quebec backgrounds...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 2, 1953 | 3/2/1953 | See Source »

...captain's two-hour address, packed with profuse detail, impressed even the crustiest professionals in the room. Said Dr. Holzer, "This is probably the most complete and reliable set of visual data which has been obtained on the zodiacal light." Forty years of watching the sky from ships' bridges had at last paid...

Author: /time Magazine | Title: Science: Captain's Hobby | 2/9/1953 | See Source »

...pinks, burnt oranges and yellows as Lautrec's lonely little figure hobbles down Montmartre's cobblestone streets, or as the cancan dancers come on in the heat and haze of the Moulin Rouge in a swirl of black silk stockings and white lace petticoats. At its visual best, the picture is a Lautrec painting come to life: it has the nervous, whip-cracking line, the absinthe bite, the very color of corruption of Lautrec's Paris...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 5, 1953 | 1/5/1953 | See Source »

Poetry occupies several pages in this Advocate and most of it is good if not exceptional. David Chandler's Sonnet achieves a poignant, sustained effect from a careful control of visual images and brilliantly worded passages. Neither the cadence, sound, nor form interfere with his feelings on growing up. The poem advances smoothly and communicates directly. Southampton Beach, by Charles Neuhauser, relies more on sense impressions and reflections inspired by them. In places, the impressions seem redundant, yet the transitions to reflection are expertly handled. It is sometimes difficult to know exactly what Neuhauser is saying, however, because he uses...

Author: By Jonathan O. Swan, | Title: The Advocate | 12/6/1952 | See Source »

Feraud, who supervises language instruction in the high schools of Paris, was sent to this country by UNESCO to collect information on visual aids as they are used in American secondary schools and colleges...

Author: NO WRITER ATTRIBUTED | Title: Linguistics Head Of Paris Schools Sees Whatmough | 12/4/1952 | See Source »

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