Word: visualizing
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...beat, and Wallmann did not try: instead she moved her chorus in a plastic combination of Greek tragedy and modern ballet, guided Star Soprano Clara Petrella in a performance of icy majesty, and won unanimous critical acclaim for what Milan's Corriere d'Informazione called "a stupendous visual WESTRICH spectacle, austere, but graced with Wallmann's customary taste and knowledge...
...Search." Moreau's film acting is mainly visual: what she says always tells less than what she does. In the small dimension of the modern film, with its total emphasis on interior values, a subtle vocabulary of gesture and expression is crucial to any good actor. What makes Moreau uniquely convincing is how little she does to accomplish so much: she smiles warmly at the husband she is about to betray-but haven't her eyes changed focus? She obediently lends herself to her master's fetishes in Luis Buñuel's Diary...
...Battle hip Potemkin is possibly the purest example of Eisenstein's descriptive technique, which he called "montage." Working from a simple, almost schematic series of events, Eisenstein tries to translate the story's social consequences into visual images--faces, gestures, and objects. He isolates fragments of an event and strings them together like the parts of a sentence, which qualify each other and add up to a statement. Certain images become symbols: the surgeon's pince-nez stands for the surgeon and in turn for the Czarist authority he represents...
Eisenstein's formal thematic approach to the story obscures the narrative. (He seems to assume that the audience already knows the plot.) The dramatic suspense suffers from his visual elaborations. Dialogue labels characters "good" or "bad" rather than engaging our interest in them. Furthermore, montage expands the time span of crucial events instead of condensing it. Eisenstein relies on the "rhythm" of the cutting and the motion within the Odessa Steppes scene to keep things exciting; but the silent tumult, the stationary camera, and the formality of description strain a modern audience's attention...
...idea for the committee originated with Dean Ford, who was "struck" by how many different standing and special Faculty committees currently handle question relating to instruction. The use of audio-visual aids, the value of language laboratories, and the role of tutorial are all undergoing separate study, he said...