Word: visualizing
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Dates: during 1960-1969
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Throughout his work Gardner has given attention to artistic flair as well as to technical competence. He is applying this approach to the Visual Studies program...
...building itself was designed to accomodate the uncertain intentions as to how it would be used. In fact, says Sekler, "the program for the Visual Arts Center rests partly on the inspiration aroused by the building. Le Corbusier's commission was to create an inspirational building." The University made very few precise requirements. Among them were that studio space be flexible so that it could be used for other purposes or partioned off into smaller areas, that there be a minimum of offices in order, as Sekler says, to avoid the atmosphere of a "bureaucratic hydrocephalus," and that there...
Antonioni uses all his verbal and visual devices to show how his characters feel. Some of these become tiresome, like shots of people taken from behind lattices and fences. Others are more obscure and lead one into guessing games. But in the last scene, which for seven minutes pictures former meeting places of the pair, shows the emptiness of solitude. The sun is setting, but the director avoids heavy contrasts; the scene is a dull gray. If Eclipse--like its last scene--is lifeless, it is because it illustrates the difficulty not only of communicating, but of thinking and feeling...
ROBERT G. GARDNER '48, coordinator of the Visual Studies program in photography, is one of the nation's most important makers of anthropological films. With the backing of the Peabody Museum's Film Study Center, Gardner assisted John Marshall who directed "The Hunters," a now-classic study of bushmen in Southwest Africa...
...Visual Arts Center, financed by a $1.5 million gift to the Program for Harvard College by Alfred St. Vrain Carpenter '05 and the late Mrs. Carpenter, of Medford, Ore., is the first Le Corbusier building in North America...