Word: visualizing
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Dates: during 1960-1969
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...Rubine, and Millionaire Realtor Arnold Kirkeby, former head of the Kirkeby chain of luxury hotels.† Ironically, 17 passengers had transferred to American One at the last moment, when a United Air Lines flight was canceled. So shattered were the bodies that Chief Medical Examiner Milton Helpern ruled out visual identification by relatives as "inhumane," set out to distinguish them by fingerprints and other means...
...failings. Resnais gained great fame by directing Hiroshima, Mon Amour. In it, he showed all sorts of technical ability with flashbacks and composition, but he never seemed able to integrate this talent with Marguerite Duras' rather somnolent script. Robbe-Grillet, on the other hand, wrote novels that yearned for visual expression. In La Jalousie, for instance, he spends most of his time painting in the very smallest details of a banana plantation. Amid the minutiae, the author tells an exceedingly ambiguous tale of a husband's jealousy, a tale that never quite escapes from the encroaching landscape drawn...
...lucky chance, Resnais and Robbe-Grillet collaborated on L'Annee Derniere a Marienbad. The novelist suffered from a geometric sense of detail, and the director had just the flair for composition to give those beautiful but boring paragraphs visual substance. Perhaps more important, the author's penchant for ambiguity lent itself perfectly to the director's much-praised deftness with flashbacks...
...heard sometimes as an undertone, often as the major sound portion of the film. Like the organ music which flows along for a time, barely noticed, and then blares out to punctuate a particular event, it seems always to be present as an oral foundation for an intricate visual structure. It is the first level...
...varying degrees Evans, 32, inspires the same feeling of apartness in all his fans. At the piano he seems transported, and some of the trancelike visual effect rubs off on the customers. When he hunches his tall, spare frame over the keyboard, as he did last week in Manhattan's Birdland, fixing his eyes on his belt buckle and stroking the keys with disembodied-looking fingers, he seems to be responding to promptings from far beyond the bandstand on which a bass and a drum plunk and sizzle quietly. The music itself often has a trancelike quality. A listener...