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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Ionesco builds to a simple, visual metaphor. Sometimes he becomes too involved in his blueprint and loses sight of the overall structure (as in The New Tenant). The same is true of Rhinoceros, but the brilliance of the plan itself is staggering. In The Chairs, finally, production outline, technique, and final product are equally brilliant...

Author: By Frederick H. Gardner, | Title: The Chairs and The Maids | 12/13/1961 | See Source »

Ulrik Brendel, an old mentor of Rosmer's whose life has corroded through his own illusory ambitions, was given a Chaplinesque twist by Joel Henning. As Professor Kroll, the pompous but observant conservative, Richard B. Stone heroically varies his redundant lines. Had he used his torso as flexibly, the visual effect would have been similarly less monotonous. Joel Crothers as the opportunistic radical leader whose dreams never exceed his political capabilities, and Beryl Kinross-Wright as a housekeeper, turn in two excellent performances...

Author: By Frederick H. Gardner, | Title: Rosmersholm | 12/8/1961 | See Source »

...demonstrated his mastery of movies as pure movement. Ikiru (1960), one of the screen's great spiritual documents, revealed him as a moralist both passionate and profound. Throne of Blood, a resetting of Macbeth among the clanking thanes and brutish politics of 16th century Japan, is a visual descent into the hell of greed and superstition, into the gibbering darkness of the primitive mind. It is a nerve-shattering spectacle of physical and metaphysical violence, quite the most brilliant and original attempt ever made to put Shakespeare in pictures...

Author: /time Magazine | Title: Cinema: Kurosawa's Macbeth | 12/1/1961 | See Source »

...dealing with neurosis, Hiroshima, and war, Resnais risks uncontrolled sensationalism. But even when the visual element overwhelms the audience, the heroine sustains an integrity that holds the film in unified balance...

Author: By Stephen F. Jencks, | Title: Hiroshima: Mon Amour | 11/22/1961 | See Source »

...Gordeyev Family (Artkino), a Russian export amplified from a novel (Foma Gordeyev) by Maxim Gorky, is a visual experience that roars across the screen with the rage and razmakh of a flash fire on the steppes. Unfortunately it is also a piece of Marxist propaganda that suggests Premier Khrushchev might profitably send some of his moviemakers to Siberia-to stimulate corn production...

Author: /time Magazine | Title: Cinema: Polyglut | 11/10/1961 | See Source »

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