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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

When TV added sight to sound, the hope was that the comic scene would be enriched with visual as well as verbal guffaws. Instead, the Big Eye seems to transfix comedians into frozen-faced patter-pushers. Visual gags, when they happen, are a cut below Charley's Aunt. With vaudeville dead, the turn of last resort has been the old silents. Last week some of this vintage wackiness seemed to have rubbed off on Comedian Ernie Kovacs who interrupted his regularly scheduled program of reruns, Silents, Please, with a half-hour of bubbleheadedness of his own. While...

Author: /time Magazine | Title: Television: See the Giant Clams | 4/28/1961 | See Source »

Dietrich and Jannings turn in fine performances that are vital to the success of Sternberg's visual subtleties. Dietrich makes the plot plausible by injecting enough warmth into her role to justify Rath's falling in love with her. She manages to remain sympathetic until the last sequence and, even in a skirt scalloped up to the waist in front, she maintains dignity. Her singing alone is worth the price of admission. See this film before it's retired...

Author: By Raymond A. Sokolov, | Title: The Blue Angel | 4/21/1961 | See Source »

...Ernie Kovacs Special (ABC, 10:30-11 p.m.). Dutch Masters Cigar sponsors one of its best customers, Comedian Kovacs, in a "visual interpretation" of music from Haydn to Weill...

Author: /time Magazine | Title: Cinema: Apr. 21, 1961 | 4/21/1961 | See Source »

Occasionally, a movie is made in which the invisible director is the most important element. Such, happily, is the case with "The 400 Blows." The camera replaces much of the dialogue, elaborating, where words are inadequate, the emotional content of the script. It is this visual characterization that lifts "The 400 Blows" above its fairly familiar story of misunderstood youth and makes it a strikingly beautiful and affecting motion picture...

Author: By Alice E. Kinzler, | Title: The 400 Blows | 4/12/1961 | See Source »

David J. Parsons '63 placed second in the painting and visual arts contest, Scott B. Clift '62 finished third. Second place in the photography contest went to George H. Hobson Jr. '61, while Ronald D. Quinn '61 received the third award...

Author: NO WRITER ATTRIBUTED | Title: Taps Sound for Festival | 3/27/1961 | See Source »

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