Word: visualizing
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Dates: during 1960-1969
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...bindery building on the site of what is now Peabody Terrace. In 1968. he joined with Eduard F. Sekler. professor of Architecture, Robert G. Gardner, and former chairman of the Architectural Sciences Department, Norman Newton, to build the undergraduate program which has become the Department of Visual and Environmental Studies...
...example, the Prudential Center didn't have to cloister itself on its side of Boylston Street. Set far back from the sidewalk, it destroys the street front which is crucial to Back Bay. The escalators which presumably lead into it are no substitute for store fronts and other visual and physical openings. Also, the whole development is on such a huge scale, with those long blocks of straight concrete that it really has nothing to do with Back Bay or Boston...
LAST WINTER an album appeared on A and M records entitled The Fantastic Expedition of Dillard and Clark. The jacket featured a hill-billy type on a motorcycle passing a joint to another in a sidecar. That picture is almost a visual description of the music on the inside, a very gentle blend of C and W and rock. Generally the term Country and Western calls up images of excruciatingly sentimental lyrics with a fiddle and banjo contest going on in the background. But the arrangements on Expedition (songs written mostly by the musicians Gene Clark and Doug Dillard) combine...
OPHULS takes us out of La Roude with a feeling for the characters whose precision excludes sentimental excess. He describes them in their gestures, their social situations, their physical settings, by the clarity of his dramatic and visual style. But it is impossible to avoid feeling regret for them. The control Ophuls maintains over this feeling makes La Ronde a perfect work. Never does he impose an attitude or an emotion upon his audience. His style rather becomes a persuasive totality which reveals itself to us as art while showing us particular loves...
Barrage of Sights. What Sesame Street does, blatantly and unashamedly, is take full advantage of what children like best about TV. "Face it-kids love commercials," explains Joan Ganz Cooney, executive director of NET's Children's Television Workshop. "Their visual impact is way ahead of everything else seen on television; they are clever, and they tell a simple, self-contained story." Instead of cornflakes and Kleenex, Sesame Street sells the alphabet, numbers, ideas and concepts in commercial form. Each program contains a dozen or more 12- to 90-second spots, many repeated during the program to boost...