Word: visualizing
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Dates: during 1960-1969
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...anyone who had seen the British song-and-patter team on Broadway; and CBS's dramatization of Gogol's Diary of a Madman, which, while a triumph for French Actor Roger Cog-gio, who learned the English dialogue phonetically, was too lacking in action to satisfy the visual demands...
...first full-length motion picture, Yale film kingpin Robert Edlestein takes firm hold on a familiar visual metaphor, and by applying a vigorous half-twist makes it fresh, contemporary, and personal. The paired figures of the Fair Maiden and the Dark Lady, representing the constructive and destructive principles of sexuality, are as old as American storytelling. In Love and Death in the American Novel, Leslie Fiedler has traced them through historical American fiction, but to a movie audience they are especially familiar as the conventional alternatives offered to the male protagonists of countless Hollywood features. In Sally's Hounds, Edlestein...
...than imitates screen conventions. The movie offers a succession of extremely beautiful shots, but that beauty is focused into specific and meaningful chains of related imagery. He manages not only to realize his major characters and make their destructive interrelations both plausible and touching, but also to expose through visual analysis a contemporary emotional tendency as real as it is dangerous: Sally is a destroyer not because she is evil, but because she is inert, drawn constantly toward blank-faced sleep and nameless dreams. She is an ambulatory case of emotional paralysis, and throughout Sally's Hounds, she infects everyone...
...extent to which characterization and thematic development in Sally's Hounds must be carried by visual technique is startling. The film lacks for conventional dramatic structure: the narrative is essentially linear, but scenes tend to be of near equal length, regardless of their functional importance; the absence of any special optical cuts (fades, dissolves) tends to give all transitions the same weight...
...which is crucial in terms of total space. He placed modern reproductions of the chairs along a wall of the room. Sitting in one of these chairs, a visitor ends his tour with a feeling for the interaction of Thonet, Katayama, and Le Corbusier.TOSHIRO KATAYAMA, graphic designer for the Visual Arts Center, designed the three posters above and arranged the Thonet exhibit...