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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...kind of comedy he hadn't created since Modern Times. In many respects the comedy is similar to that of the earlier films. Though American comedy since Lubitsch and Wilder has tended increasingly toward the verbal, Chaplin still largely ignores the potential of comic dialogue, emphasizing the visual jokes instead...

Author: By Tim Hunter, | Title: A Countess From Hong Kong | 4/25/1967 | See Source »

Criticism of Chaplin's old-fashioned visual style and relentlessly stationery camera not withstanding, few directors use the camera as successfully to convey characterizations: he holds a close-up of Tippi Hedren just long enough for the actress to become uncomfortable, and in the context of the scene, Chaplin is able to transfer that quality of detached restlessness from her to the character she is playing...

Author: By Tim Hunter, | Title: A Countess From Hong Kong | 4/25/1967 | See Source »

...Committee to Rescue Italian Art will sponsor two lectures in Lecture Hall, Carpenter Center. Today at 8 p.m. Wayne V. Andersen, Chairman of the M.I.T. Committee on the Visual Arts, will speak on "Time and Space in Italian Futurism." Wednesday at 8 p.m. Horst W. Janson, Visiting Professor of Fine Arts, will lecture on 'Donatello and the Antique." Tickets are $2, obtainable at the Coop and M.I.T. Student Center...

Author: NO WRITER ATTRIBUTED | Title: CRIA | 4/25/1967 | See Source »

Although the Lampoon has made it up to the decent mark, it is useless to pretend that it is much of a provocative humor magazine. Like all Lampoonsthis issue has a few strong points, but the magazine needs more visual pep-cartoons, maybe photographs-and a less staid layout. But basically, what the 'Poon needs is more talent to widen the nucleus of good writers which has kept a spark of life in this year's issues...

Author: By Timothy Crouse, | Title: The Lampoon | 4/21/1967 | See Source »

...first electronic book. It does not progress in an orderly, sequential manner, developing from an introduction through the main argument and on to the conclusion. Like a television commercial, it is designed to make an impact rather than to tell a story, and because of the extraordinary visual skill with which it was compiled, it succeeds magnificently...

Author: By Gerald M. Rosberg, | Title: UNDER MARSHALL LAW: The book...is an extension...of the eye | 4/21/1967 | See Source »

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