Word: visualizing
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Dates: during 1960-1969
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...wartime situation allows Rossellini sequences in bombed-out Milan, scenes in prison cells, even montages using newsreels of bombing raids. But it's his visual style more than his settings that makes General della Rovere profoundly realistic. Another director might take the space of a certain scene as a fixed reality, and hold his camera in a long deep-focus shot while dramatic action takes place nearer or farther from the camera. Rossellini's spaces are no less real, but he reveals the truth of a scene by following the characters with his camera, strengthening certain actions by showing them...
...generous doses of blood and poetry in this raucous western directed by Sam Peckinpah. Telling a violent yarn about a group of freebooting bandits operating around the Tex-Mex border at the turn of the century, Peckinpah uses both an uncommonly fine sense of irony and an eye for visual splendor to establish himself as one of the very best Hollywood directors...
...doses of blood and poetry in this raucous, magnificent western directed by Sam Peckinpah. Telling a violent yarn about a group of freebooting bandits operating around the Tex-Mex border at the turn of the century, Peckinpah uses both an uncommonly fine sense of irony and an eye for visual splendor to establish himself as one of the very best Hollywood directors...
Some have said the physical world of dorms is made for moles. The visual environment is constricting. Single rooms are laid out on either side of long hallways covered with travel posters and yellowing cartoons. Most rooms are divided among two occupants, two radios and a record player. Everything is horizontal except the people, but they are what we are trying to get away from. People are everywhere, just hanging around. The sense of being under observation is so strong it sometimes seems the hallways are tunnels hung with rolling eyeballs. There are no free distances for the eyes...
...final checkout of their methods, a strip of test film was accidentally destroyed. The astronauts themselves were so curious about their photographic efforts that they waited up late one night to see the first results. They had every reason to be satisfied. Their pictures added up to a remarkable visual record of man's most adventurous journey...