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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Stravinsky's Petrouchka comes from a period in the composer's career during which he stressed Russian themes and styles in his music. This ballet suite uses the orchestra in some unique ways: Stravinsky occasionally makes the orchestra a vehicle for visual as well as aural effects: when the whole orchestra makes a tremolo, the players seem to shake together...

Author: By Stephen Hart, | Title: HRO-Glee Club-Choral Society | 12/19/1966 | See Source »

Main reason: Yale, with the Wai-pole and Boswell papers in its library, has already become a center for English studies. Mellon's collection, valued at over $35 million and including more than 1,000 oils, 3,000 drawings and 4,000 rare books, would provide the ideal visual complement. To house the new gift, Mellon will pay for a new $12 million building to contain a gallery, libraries, lecture and seminar rooms, to be located across the street from the present Yale Art Gallery...

Author: /time Magazine | Title: Gifts: Old England for New | 12/16/1966 | See Source »

Wassily Kandinsky was one of the first modern artists to put abstraction into the visual vocabulary of 20th century painting. Yet roots of Kandinsky's modernism lie more in the soul than in any scientific mood. For him, folk art with its romance and spiritual energy was a vital source, just as it was for his contemporary Stravinsky, who made brightly violent music, such as The Firebird, out of traditional Russian folk tales, and the sculptor Brancusi, who derived his mythical Maiastra bird from a Rumanian fairy tale...

Author: /time Magazine | Title: Painting: Abstract Icons | 12/16/1966 | See Source »

...This visual reiteration of the characters' isolation and entrapment makes Sartre's themes unmistakable, but puts a heavy theatrical responsibility on the actors. Their only hold on the audience must be an unflagging physical and vocal intensity. If any effect is dissipated, the audience is already too far removed to pay further attention...

Author: By George H. Rosen, | Title: The Victors | 11/18/1966 | See Source »

Smith's late works move freely in a full three dimensional space. They rely upon visual illusions to force the viewer to see the works as if they occupy a single plane. In Zig VII, the over-all context of the piece, created by the individual parts, is planar and hence the flat discs tend to suggest two dimensional representation of perpective rather than a tangible volumetric depth...

Author: By Jonathan D. Feinberg, | Title: David Smith: Illusion In The 3rd Dimension | 11/12/1966 | See Source »

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