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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...best show on Newbury St. is at the Rigelhaupt where eight sculptors of the "$2000-for-that-thing-I-could-make-it-mayself" schools try to show the gallergoer that he can't. "Art in Process: The Visual Development of a Structure" collects some of the most questionable genres of modern art and affords a glimpse into their creation by surrounding each sculpture with the notes and drawings that helped form it. As a study of the creative process the exhibit is spread much too thin--each artist has only the most token representation, and each work only...

Author: By Jonathan Boorstin, | Title: Art in Process | 10/1/1966 | See Source »

...technical and visual material is generally more satisfactory than the philosophical. And arresting group of sketches, variations on John Willenbecher's "Nuit. Blanche," explain the artist's choice of a design. A note book of ideas which inspired the work is a disappointment, because it hints at the lack of meaning of the work for the artist--the lack of a forceful idea underlying the work itself. It seems the sculpture was inspired by Yin and Yang, cycloids and orbiting planets, hardly a coherent unifying idea for a work...

Author: By Jonathan Boorstin, | Title: Art in Process | 10/1/1966 | See Source »

...Human Rights. Though Saxon ropes Brando, drags him through a stream, and presses his forearm onto a scorpion during an Indian wrestling match, Brando survives to get away with the girl, get on his horse and get off a well-aimed parting shot. All the surprises in Appaloosa are visual ones, achieved by Director Sidney...

Author: /time Magazine | Title: Cinema: Hoss Play | 9/30/1966 | See Source »

...with flour, crushed ripe tomatoes, beer, raw egg, brightly colored powdered paints, cornflakes, half-chewed raw carrot, bits of melon and melon seed, milk, and tufts of moss and grass. Concluded the critic for the London Times, trying very hard to be broad-minded about it all: "The visual arts today are a kind of brothel of the intellect, and nobody can write a report on a brothel while primly standing outside the door. The idea that he knows precisely what art is, and what it is not, is, it seems to me, the only one which the conscientious...

Author: /time Magazine | Title: Great Britain: Beautiful, Jean-Jacques | 9/23/1966 | See Source »

...periodic excitement in the main tent. Seventeen nations were represented in a program that included ten or a dozen superb shorts and five fine features. Pursuing ever more strongly a direction evident for more than a decade, the new films showed more freedom of narrative form, more richness of visual vocabulary. The new moviemakers more and more firmly reject the rules of the drama, and more and more sensitively obey the laws of the eye. They mean to write with the lens and not with their pens. The festival's best...

Author: /time Magazine | Title: Cinema: The Eyes Have It | 9/23/1966 | See Source »

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