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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...film's visual style, to which Gavras clearly gave a great deal of attention, sometimes drops to the level of mere flashiness. Gavras will not always resist ostentatious camera angles and tricks like shooting upside down or through the bottom of a beer stein. But often the style is a tour de force of the evocative and apt. When Graziani is interrogating suspects, the camera continually tracks and pans in short arcs, testing different angles as if conducting an investigation of its own. When the entire force starts work on the sleeping-car case, the camera tracks alongside the policemen...

Author: By Martin S. Levine, | Title: The Sleeping Car Murder | 5/25/1966 | See Source »

...moves the characters effortlessly in this fashion, almost as if he were editing a film on stage. Never allowing the confines of the set to interfere with his blocking, he doesn't hesitate to have a character circle a table the long or illogical way, if it gives needed visual emphasis to that character. In doing this, Babe gives The Pelican its own stage reality...

Author: By Tim Hunter, | Title: The Pelican | 5/23/1966 | See Source »

...came to the two men who directed these institutions: Duncan Phillips, 79, who ran the most intimate of museums, his own, and James Joseph Rorimer, 60, who on a Sunday could watch 47,000 visitors pour through the Met's portals. Both men, in their way, had given visual pleasure, instruction and enlightenment to millions...

Author: /time Magazine | Title: Art: Double Loss | 5/20/1966 | See Source »

...those worrying about Harvard's involvement in the arts, ought to realize that such studies are not a substitute for a carefully though-out program, of whatever scale, for artistic endeavor. Creative courses have been in an ambiguous position at Harvard since the dawn of the Visual Studies program in 1963. At present, no one is quite certain of their place; the adoption of Vis Stud, and of such courses as Hum 4 and Hum 105 has given a certain validity to the idea that Harvard has a program in the creative arts. But no one is planning...

Author: NO WRITER ATTRIBUTED | Title: Planning for the Arts | 5/19/1966 | See Source »

Thomas E. Crooks '49, director of the Summer School, has informally proposed that the school sponsor special exhibits in the Fogg Museum and the Visual Arts Center. According to Crooks's plan, the two centers could coordinate these shows with events in theatre and music, arranging them around a single theme...

Author: By Robert J. Samuelson, | Title: Summer School Plans Culture Fest; Program Won't Start Before 1967 | 5/18/1966 | See Source »

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