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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

They vary in size. Dunster's Festival for the Visual Arts is by and primarily for Dunstermen; the widely-publicized Quincy Arts Festival, a "veritable behemoth" (as it says in the program) offers the University a broad selection of the performing arts...

Author: By Robert J. Domrese, | Title: The Arts Festivals at Harvard-Each Has Its Excuse for Being | 4/22/1966 | See Source »

They vary in purpose. Quincy will concentrate on the performing arts, Leverett and Dunster on the visual arts, and Adams will present a panorama of talks, concerts, films, and exhibitions attempting to present a smattering of Russian culture...

Author: By Robert J. Domrese, | Title: The Arts Festivals at Harvard-Each Has Its Excuse for Being | 4/22/1966 | See Source »

...desire to tell the story a la McCarthy, the film tries to cram everything into its focus; so much of the book must be told via telephone conversations and alumnae jottings. But where the movie succeeds, aside from the fine acting, is in giving the audience a visual taste of the 1930's from the floppy hats and long dresses to the "modern" furniture with which Kay decorates her apartment...

Author: By Joseph A. Kanon, | Title: The Group | 4/16/1966 | See Source »

Brown Paper Masks. Steinberg drawings are meant to be read, and over the years they have developed into an increasingly sophisticated sign language. The vignettes can be metaphysical or as simple as a curious cat peering into a number 4. Fond of visual puns, he pokes fun at the art of drawing; the artist often grows out of his own pen, winds up as a square, or worse, becomes thoroughly entangled in his own shenanigans. His masks painted on brown wrapping paper are cutting satires. "They are not caricatures," Steinberg insists. "They are the faces, the masks of the middle...

Author: /time Magazine | Title: Graphics: The Message in the Medium | 4/15/1966 | See Source »

With an intimate score only partially realized, the opera's impact, while considerable, remained more visual than musical. The production featured not only mechanical gimmicks, acrobats on wires, and lavish costumes, but a well-disciplined ballet company led by Niels Kehlett (of the Royal Danish Ballet) whose executions reflected both great strength and refinement...

Author: By Jeffrey B. Cobb, | Title: Rameau's Hippolyte | 4/14/1966 | See Source »

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