Word: visualizing
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Dates: during 1960-1969
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...sheer fun, the top movie was Those Magnificent Men in Their Flying Machines, a nostalgic, slapstick, visual comedy closely followed by Cat Ballon, with Lee Marvin in a sidesplitting parody of all the drunken, woolly bad 'uns ever portrayed. For sheer horror it was Repulsion, by Poland s young Roman Polanski, the new master of the monstrous. The Spy Who Came In from the Cold was the spy thriller to end all spy thrillers-and perhaps about time...
...George Gershwin's music and billed as "a great moment in Italo-American collaboration." After opening night, the bemused Milanese had another name for it: "La Scala Follies." The critics had some complaints, some major (Director Maner Lualdi's failure to stitch the kaleidoscopic scenes into a visual and dramatic whole), and some minor ("How can one stage a 1910 New Orleans dance palace without calling in a single colored face...
...tolerate the smell of turpentine nor the messiness of oils. Though watercolors lack the warmth of thicker media, Christ-Janer strives to enrich them. In pursuit of textural effects, he has experimented with polymer glues to bind his colors, sand or gravel sprinkled on to give them tactility and visual variety...
Graduate school admissions and fellowship applications reflect similar differences in outlook. That IBM-atmosphere they were rioting about is reflected in the stark simplicity and, perforated, EZ-to-process, pages of Berkeley's form. As for Harvard's GSAS form, its appearance would enthrall any student of the visual arts: at least five different kinds of type reflect the level of significance of various questions. Xeroxed and informally stapled at the corners, Wellesley's graduate fellowship form reflects the combination of casualness and warmth which characterizes afternoon teas at their best...
...small, white sailboat which appears, in contrast to the grimy oil tankers which have drifted through the film before, represents escape and freedom. The rock formations along the shore, like the rocks in L'Aventurra, have a shape and character which nearly animates them. Antonioni, by this purely visual statement, gives us an idyllic alternative with which to measure the industrial world, either sordid or sterile, in which we live...