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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...more ways than the obvious visual ones, The New Yorker since its founding in 1925 has seemed almost immune to dramatic change. It has had only two editors in those 47 years, Harold Ross and the man who took over after Ross's death in 1951, William Shawn. The devotion to low-key fiction and gentlemanly criticism has persisted, as have the horse-racing column and such self-mocking images as Eustace Tilly and an imaginary correspondent called "The Long-Winded Lady...

Author: /time Magazine | Title: The Press: New Politics, New New Yorker | 5/1/1972 | See Source »

Volumes I thought V of the Plan are nearly complete. They review the success of previous planning efforts, planning philosophies, raw census data, traffic flow, and the visual environment of the Square...

Author: By Mark C. Frazier, | Title: The JFK Center and Harvard Square: At the Crossroad of Future Shock | 4/29/1972 | See Source »

...anthology was either typed on a Brobdingnagian typewriter or was blown up by the editors--a marvellous expression of their subconscious wish, though they themselves warn SDS in their introduction not "to advertise its wish as fact"--to approximately three times its normal size, perhaps in search of a visual equivalent to SDS's electromegaphonic mode of verbal communication...

Author: By Michael E. Kinsley, | Title: Dear Archie/Dear Katherine | 4/26/1972 | See Source »

...Escher's asset was an intricately schematic intelligence, and this he used with such wit and patience that he became, without modern rival, a master of visual paradox. A great many of Escher's prints were about teasingly blocked situations. They are scientific demonstrations of how to visualize the impossible. What they propose is a kind of n-dimensional reality in which the laws of perception are temporarily repealed. The most innocent images contain excruciating traps...

Author: /time Magazine | Title: Art: n-Dimensional Reality | 4/17/1972 | See Source »

Escher's work was involved with many of the notions current in the more abstract sciences. The obsessive patternmaking, which appeared after he saw the Moorish tilework in the Alhambra during a visit to Spain in 1932, became a visual demonstration of field theory -for there is no "foreground" or "background" in Escher's mosaics. The outline of one figure instantly becomes the boundary of another...

Author: /time Magazine | Title: Art: n-Dimensional Reality | 4/17/1972 | See Source »

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