Word: visualizing
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Dates: during 1970-1979
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...rather conventional (addition and deletion of scenes, effects of light and color, and so on), and the shock is neither scandalous nor exploitative. Certainly in the context of the past year, the violence in this Macbeth is hardly noteworthy. It is not that the film is without its visual extremism. One simply would have expected more from Polanski, Tynan, and Hefner, and one is thankful for less...
...most part the drift into flamboyance is forgivable. In one scene in particular--Macbeth's second meeting with the witches--the visual overstatement undoubtedly enhances the text. Polanski fills a dank, green-smoked cavern with a bevy of the oldest, ugliest, cacklingest witches imaginable, and the grotesquerie, the outlandishness, is just in line with Shakespearean exuberance...
...Henry Moore, stands in front of Lehman Hall: the trees surrounding it are so overbearing it is hardly visible. Something like Claes Oldenberg's giant lipstick might have been more effective. The yard boasts little else sculpturally beyond John Harvard and Widener's lions: only recently did a Visual Studies course put up a kinetic soul sculpture in Sever quad. The bright red and immense size of the tripod-like pieces certainly don't go unmissed, and show what a vast and changeable space the quad...
Paradise Lost and the Visual Arts. Professor C.A. Patrides, University of York, Boylston...
...security guards to keep the peace. "We've always thought it was out of this world," says Irwin Gopnik, a McGill University English professor. Adds Daughter Alison: "This is not luxury living. This is the way people should live, surrounded by air, space, sun and this whole rich visual experience...