Word: visualizing
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Dates: during 1970-1979
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...WOULD you write an equation given the variables: Carpenter Center for the Visual Arts, Loeb Drama Center, Charles Eliot Norton Lecture 1970-71, undergraduates in Visual and Environmental Studies, undergraduates in Harvard Dramatic Club, Harvard-Radcliffe undergrads, Director of the Loeb, Director of Carpenter Center, professors of light and communication, professors of history and science...
HARVARD does not have the orange. In 1956, when John N. Brown headed the Committee on the Visual Arts at Harvard, the University conceived the A.N. Whitehead child-"championing of the arts." There were proposals for the "enlarged pattern for the visual arts at Harvard." There were proposals for the "construction of a Design Center." There were proposals for "also a Harvard Theatre." And, there was a specific proposal for the integration of the Harvard Theatre with the other activities of the University. But is it integration when the Charles Eliot Norton lecturer has to plan busing to M.I.T...
...Department of Design into the Theatre and the Theatre into the Department of Design.... In short, the Harvard Theatre should be a magnetic center for attracting varied and combined manifestations of creative effort now existing in numerous undergraduate and graduate activities of the University" -the Brown Report on the Visual Arts at Harvard...
FRANCO COLAVECCHIA, lecturer on Visual and Environmental Studies and designer-consultant for the Loeb Drama Center, is another example of token integration of the arts at Harvard. We need design for the stage, but how about a stage for design...
...progression from Mao to East, the latter film is the most violent in the Group's attempts to structure through sound our apprehension of visual meaning. At one point the screen shows us a green field, and the narrator screams, "Red! Red! Red!" Earlier, a four-minute shot of a nineteenth-century couple obscured by tall grass is described in eight different periods, and peopled by eight different historical figures. These are not empty exercises. They are instead statements of Godard's belief that any image can denote virtually anything; and more importantly, that our inability to recognize this fact...