Word: visualizing
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Dates: during 1970-1979
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Savoring Joy only on LP rather than in the theater costs the listener a few visual delights, notably the pleasure of watching Jean Pace (Brown's wife) smile like the girls in Vogue wish they could and dance like the priestesses in Aida definitely should. But the LP blesses the ear with her Brown Baby and Afro Blue. It also offers Oscar and a Brazilian wizard named Sivuca (pianist, accordionist, guitarist, world's funkiest falsetto) singing and playing a small treasury of other inter-American gems...
...station). The acoustics were beautiful. By the end of a rehearsal in Paine most people's cars are blown out. The hall is too small and live for such a large or chestra as HRO. And playing in Sanders is like playing in a barn. Harvard, with its lovely visual studies building. Fogg Museum, and Loeb Drama Center does not have adequate concert facilities. And Harvard might note that Johns Hopkins with its beautiful new hall is not turning into a conservatory...
...mingling colors and sensuous personal relationships of Les Biches give it a deceptively tranquil mood. Beneath its apparent softness lie a morality and visual style of steel. The fundamental principle of Chabrol's view of the world is the inevitability of change in the ordering of relationships. In his films the positions of objects in space are altered, often via camera motions, over time. Chabrol carefully organizes other types of change-the evolution of personal relationships being the most explicit-around this basic kind...
...taken these fantasies of the unconscious as art, they would have carried no more conviction than visual perceptions, as if I were watching a movie...
Vulgarian's Feast. The true Satyricon is shot through with fragments of poetry. The Fellini Satyricon finds visual equivalents-but often at the price of coherence. Scenes are shifted, new ones are added, characters are blunted or sharpened. Still, Fellini has left the Petronian framework intact. Like almost all his social satire, Satyricon is a picaresque journey through the beds and banquet hails of Rome. Now Encolpius skirmishes for the affections of the young invert Giton (Max Born); now impotent, he whimpers about his "blunted sword"; now he overstuffs his gullet at a vulgarian's feast...