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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

GODARD said to an interviewer in 1961, "My three films all have, at bottom, the same subject. I take an individual who has an idea, and who tries to go to the end of his idea." His films have always been pieces of criticism, visual essays about ideas and culture in a declining West. He was never interested in making "good art." That notion of finely wrought and finished work was itself the legacy of a moribund sensibility...

Author: By James P. Frosch, | Title: Sympathy for the Devil | 2/14/1970 | See Source »

...black man finished a phone call, got stoned, got drunk, and passed out, and yet by the visual staging, you were able to bring him across as a character of strength...

Author: By Jeffrey S. Golden, | Title: Genet's The Blacks: A Director's Viewpoint | 2/5/1970 | See Source »

...clowncrie (clown show) as subtle as this production at the Loeb Drama Center is deft and forthright. The New African Company, in conjunction with the Theatre Company of Boston, offers on the Loeb mainstage (normally bereft of black performers) a panoply of gifted black actors and actresses, in a visual spectacle of remarkable exuberance...

Author: By James M. Lewis, | Title: The Theatregoer The Blacks | 2/5/1970 | See Source »

With Regal Elegance. The evening is an unmitigated triumph for Maggie Smith. Her performance ought to be filmed as an instructional visual aide for U.S. actresses. Where they stride like plow jockeys, she moves with regal elegance. Where they mushmouth their lines, she inflects each syllable with sorcery. The luminous high point of the play is a speech that she delivers on the ideal of marriage, one of the greatest speeches in all of dramatic literature on that subject...

Author: /time Magazine | Title: Theater: Were Man but Wise | 2/2/1970 | See Source »

...medium, it is not supposed to be the end-all. "You look at my work," says Biederman, now 63, "and you don't see technology." What you do see is a perfect balance of angles, colors, shadows and reflections that provide the dynamics for a rich visual experience. They plainly owe their geometry to Mondrian, their spatial dimensionality to the Russian constructivists, their crisp colors to the De Stijl movement. But by logically extending the discoveries of his predecessors, Biederman has created an art form of his own, with tools unique to his own time...

Author: /time Magazine | Title: Art: Structurist for a New Age | 1/26/1970 | See Source »

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