Word: visualizing
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Dates: during 1970-1979
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...Both visual and musical themes insist on stressing the contradictions of middle-American life. Through a contrast between day and night scenes, Demme unfolds the schizoid nature of CB use. Surfacing under a miasma of grays and blues, the CB becomes a sinister force in the town. Rain also showers the darkness, but it dirties as much as it cleanses, recalling Alain Resnais's evocation of the contaminated rain after a nuclear explosion in Hiroshima, Mon Amour. During the day, when the CB appropriates a docile mask, bright sunshine dominates the cinematographer's vision. The soundtrack, too, depicts both sides...
...glass jar, Cunningham is fascinated by the eloquent detail: a dancer's leg arcing upward like a searchlight against the sky, the drift of weight in space when the body leans slowly backwards, dancers bounding across the stage like stones skipped across water. The patterns aren't only visual, either: in one dance, "Torse," where there was very little sound accompaniment, Cunningham created a whole aural superstructure from the rhythmic thuds of the dancers' feet on the floor. Cunningham doesn't work with an elite vocabulary of "dance movements," either. Instead, he catches the casual moment from the street...
...pasture at dawn. And at several points in the film, Masini is content to allow events to speak for themselves, permitting the actors to move in and out of the picture while the camera remains fixed in one place. In this way the cinematographer quietly succeeds in imbuing the visual dimension of Padre, Padrone with the same eloquent austerity of style that marks the Tavianis' script...
...Punk, and I know sounds in a visual experience, much the same with a ballet is. You can't separate seeing it happen being people are getting into it," says...
...have organized a cable TV station, TUTV, which is supported by a $10,000 yearly grant from the student senate. The station is completely extra-curricular. Students train other students to use the equipment, which consists merely of one 3/4" color porta-pak (the size refers to the tape visual quality), two color cameras in the studio, and a special effects generator. About 40 and a special effects generator. About 40 students participate in the station, which puts out six hours of programming a week...