Word: visualizing
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Dates: during 1970-1979
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...week ago Saturday marked the closing of "Ten Young Artists at Harvard," an exhibition of visual art in various media by undergraduates. After nearly a year's planning, the exhibition was on view in Gund Hall a total of 11 days, the brevity necessitated by previous commitments on the part of the Graduate School of Design for the use of its lobby space. A number of questions have arisen in the aftermath of the exhibition concerning its background and purpose. Though not an official spokesman for the group, I consider the questions to be of sufficient importance to demand...
Last spring, there was considerable enthusiasm among students active in the visual arts for an exhibition of undergraduate work. The idea for such an exhibition was not new; rarely, however, has the idea come to fruition. That it did in this case is largely due to the persistence of Phil Gabrielli '74, around whom the enthusiasm coalesced. Gabrielli made repeated efforts throughout the past fall and winter to secure both the money and space necessary for an undergraduate exhibition. Neither was easily acquired...
...Outfit is the sort of yarn (ex-con goes up against the Mob biggies for revenge) that needs to have every moment blasted by visual invention. Director Flynn makes a movie that has been seen before, without either the skill or spirit that distinguished such excellent predecessors as Point Blank and Get Carter...
...early '60s, Ray's films were the exotic favorites at some international film festivals. But as his subject matter changed his films lost their picturesque appeal. They demanded more thought; their visual immediacy was no longer anthropological. Satyajit Ray's films became cultural documents in India, but began to bore festival audiences...
Some details reach toward Ray's concerns over the minor actions that constitute urbane life (the men worry over whether or not to shave, and such like) while others, such as the men's stretching their limbs when they leave the car, are purely visual delights. After notable failure in color filmmaking, Ray has returned to the traditional black-and-white frame. His compositional eye seems to have regained its earlier strength, whether the subject is a group of people or a gasoline pump...