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Word: visualizing (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...lyrical black and white photography of stormy skies, barking dog and the imposing grandeur of the Russian landscape play no small role in the overall success of the film in which visual images rise above the language barrier. King Lear is not suitable viewing material for a restless Saturday night; but for an audience willing to participate actively in the drama, it is nothing short of breath-taking...

Author: By Mary F. Cliff, | Title: Above the Language Barrier | 2/17/1984 | See Source »

...India is such a vibrantly visual culture." Eck says now, adding. "One reason I'm interested in the gods is because you see that in India--there's a careening life of the streets because it's a temperate climate...

Author: By Andrea Fastoenberg, | Title: Diana Eck | 2/3/1984 | See Source »

Explaining the two decades of use for landscape architecture, R Denis White, a research associate at the lab says "Graphics allows you to assemble as much data as is necessary--endangered animal habitats water quality, visual quality...to make a geographic information system...

Author: By Andrea Fastenberg, | Title: Painting by Numbers | 1/25/1984 | See Source »

...documentary comic book from the prolific Writers' and Readers' Publishing Cooperative. DNA for Beginners succeeds better than similar introductions from the same publisher such as Marz for Beginners or Frend for Beginners, which deal with less visual subjects. Although titled a "comic book," DNA for Beginners should not be confused with science-inspired pulp serials such as "DNA gents" (which details the adventures of a handful of artificial people created by a giant corporation to do its dirty work.) Thoroughly researched, simply written, beautifully laid out, DNA for Beginners is in fact more serious than most popular science writing. With...

Author: NO WRITER ATTRIBUTED | Title: Making | 1/23/1984 | See Source »

...broadly speaking, two things created a major American art. The first was the Revolution, which fixed American neoclassicism as the speech of elevated visual discourse and gave American artists heroic themes from their own history and experience. The second was the discovery of great space and, within its vastness, of unique nature. To this we owe the lucid, entranced sea visions of such painters as Lane and Heade. Theirs was the distinctive language of American luminism, with the surface of sea and sky like a membrane of pure contemplation, every pebble and mast distinct, caught in a kind of sacramental...

Author: /time Magazine | Title: Art: Manifest Destiny in Paint | 1/23/1984 | See Source »

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