Word: visualizing
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...fortune of her aunt, Lady Wishferit (Alison H. Rich ’09). The bawdy play unfolds with Mirabell trying to balance this sticky situation, and it quickly erupts into deceit, trickery, and very tangled interpersonal webs. Meanwhile the audience sees the characters become literally stained and tainted through visual direction from Birnbaum. But why use the ’80s as a frame for a play from the 18th century? “It’s apolitical, and amoral,” says Benjamin M. Poppel ’09, one of the two executive producers...
Given the astonishing presence J. Lorenzo “Enzo” Camacho ’07 has on the campus visual arts scene today, it might come as a surprise to many that Camacho had not formally pursued visual art before college. Rather, he explains, his interest in the medium devloped gradually. “I sort of fell into the visual studies concentration. I came to college with a vague interest in filmmaking,” he explains. “Freshmen year, I took a photo and experimental video class and, in my sophomore fall, I comped...
...culture is only as great as its dreams and its dreams are dreamed by artists.” This quote from L. Ron Hubbard has both inspired and been realized by Harvard senior Jimmy Collins ’07, big dreamer, Visual and Environmental Studies (VES) concentrator, and Renaissance man of the arts. Collins is not only an advanced percussionist, but also a talented filmmaker, photographer, and leader. His creative education began at age five when his father, who had always wanted to play the drums, bought him a drum set. “We had a drum...
...directing effort, “The Way of the World,” which will run from April 27 to May 5 on the Mainstage. Birnbaum will stage the Restoration drama, which premiered in 1700, in a 1980s setting. But this concept is merely a canvas for more complex visual metaphors, like paint gradually taking over the stage throughout the play. “As the ill-conceived actions of the people in the play happen, the set and the costumes become permeated with color,” says Birnbaum.Birnbaum’s friends recognize...
...says Hoagland. Hoagland has acted in 19 Harvard theatre productions. He has performed in everything from “The Taming of the Shrew” to last year’s experimental production “LuLu,” from the Hasty Pudding Theatricals to Visual and Environmental Studies film projects. “I’ve had a lot of positive experiences at Harvard—it’s hard to pick the most memorable. I loved the Pudding,” says Hoagland. He especially praises professional director Marcus Stern, who works both...