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Hartman is a professor of English at UC-Berkeley. She studies feminism and psychoanalysis in African-American contexts and the visual arts in African-American culture...

Author: By Daniel J. Mandel, CRIMSON STAFF WRITER | Title: Professor Choices | 11/3/2005 | See Source »

...harsh visual description of inequality, Abu-Assad forces the viewer to consider the conditions that push people in the direction of violence. The film doesn’t legitimize violence, nor does it take an overtly political stance in terms of the Israeli-Palestinian conflict. It is aware of the issues but never didactic. Rather, the goal is to challenge our natural impulse to dehumanize suicide bombers as one-dimensionally evil...

Author: By Rowena H Potts, CONTRIBUTING WRITER | Title: Paradise Now | 11/3/2005 | See Source »

...video’s ramshackle aesthetic is the perfect compliment to the Silver Jews’ sound: “How Can I Love You” is, at heart, just old-fashioned honky-tonk music, and too much visual fuss would have muddied its simple pleasures...

Author: By J. samuel Abbott, Bernard L. Parham, and Will B. Payne, CRIMSON STAFF WRITERSS | Title: Pop Screen | 11/3/2005 | See Source »

...array of fields. Brent H. Edwards, currently at Rutgers, is an expert on African-American literature. Stanford political scientist Claudine Gay is especially concerned with minority politics. Saidiya Hartman, currently a UC-Berkeley English professor, specializes in feminism and psychoanalysis in African-American contexts, as well as visual arts in African-American culture. Finally, Jacob K. Olupuna, of UC-Davis, studies African traditional religion, West African society and culture, and African religion in the Americas...

Author: By Daniel J. Mandel, CRIMSON STAFF WRITER | Title: Since They Parted Ways | 11/3/2005 | See Source »

Today’s class has been a success in Lecturer in Visual and Environmental Studies (VES) Paul Stopforth’s estimation. “Beautiful weather,” he recaps. “Extraordinary color...

Author: By Véronique E. Hyland, CRIMSON STAFF WRITER | Title: VES 113: Altered Landscapes | 11/3/2005 | See Source »

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