Word: visualizing
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...seem, by comparison, like a junkyard jalopy. Beyond that, there's the edifying display of people taking control of their own destinies by building beautiful, useful machines. The heroes of Speed Racer and Iron Man could be the garage geeks who paved Silicon Valley with cybergold; or Hollywood's visual-effects alchemists, translating their fantasies into pixels to create gorgeous movies like these. Iron Man and Speed Racer are tributes to practical ingenuity and manual dexterity, to real American innovators like Edison and Ford, Steve Wozniak and Dale Earnhardt - to the grease monkey as genius...
...inducing lights," and noted that, to get a sense of the picture's cinema style, you should "put 80 pounds of fireworks into an industrial dryer, crawl right in there with them, turn it on and then light the fuse. It'll give you a good idea of the visual onslaught you'll be enduring." As usual with Colbert, the humor highlighted a sneaky truth: in its assaultive creativity, its high-speed, multilayered imagineering, Speed Racer is like nothing you've ever seen. And it is gorgeous: a totally designed environment that is a rich, cartoonish dream: non-stop...
...entire film exists in another, nether, Never-land where standard narrative and visual decisions are dismissed as way too confining. The location of the Racers' home seems to be in idyllic suburban America, yet Speed's schoolteacher and classmates speak with English accents. The time, never specified, could be today but is emotionally the '50s or early '60s. Mom and Pops Racer's three sons - Rex, Speed and the youngest, Spritle (Paulie Litt) - are each separated by about 15 years. So just never mind that Goodman 55, Sarandon 61, are more likely to be Spritle's grandparents than his parents...
...bling and super-bling flare enhancements and candy-inspired 'Techno Color')." You can tell that everyone had liberated fun making the film; it feels like the group effort of Mensa kids let loose in the paint store. More than the story of the Racer family, Speed Racer is the visual autobiography of the Wachowskis and their pit crew of computer-nerd Einsteins, using the tools of their trade to transform the movie medium...
...Movies like Polar Express and Sin City proffered seductive experiments in digital cinema and green screen, but Speed Racer announces the arrival of the virtual movie. If you watch the film overwhelmed by the assault of seductive visual information and wonder what you're seeing, here's the happy answer: the future of movies. And the people who made it? They're the industry's can-do-anything superheroes. Not Spider-Men, not Hulks or X-Men. No: Speed Demons...