Word: visually
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Dates: during 1930-1939
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...Visual defects in drivers, especially, are often corrected in this way. These who have accidents are often found to be suffering from "tunnel vision", which enables them to see only 40 or 50 degrees on each side of center...
Unlike another recent art historian, Hendrik Willem van Loon (TIME, Oct. 4), Critic Cheney has stuck to the visual arts and has in fact written about them, not confining himself to their "background."' Showing a desirable respect for his material, he has also illustrated his book with nearly 500 reproductions of works of art, rather than with sketches of his own. The Cheney history has positive virtues of completeness, modesty and readability, avoids alike the arrogance of parochial "moderns" and the bluster of hidebound conservatives...
Even more characteristic was the artist's method of feeling out and establishing his forms. Daumier had an extraordinary visual memory and a sculptor's grasp of three-dimensional movement. His famed drawings of lawyers, legislators, railway travelers, acrobats, street characters and bourgeois at home were done usually at night, under great journalistic pressure, without models or sketches. Although Balzac said Daumier had "Michelangelo under the skin," until 1860, when he was 52, he had scarcely any time to give to painting. When he was able to work in oils he went at it slowly using tentative outlines...
...classified under the second type, namely, emotional reactions of the artist set down on paper. Mr. Lougee argues that, if certain kinds of abstract music can arouse a person emotionally, then abstract renditions of light and shade can achieve the same effect. He says frankly that these are but visual experiments, yet, his reactions to Handel's music, for one, set on paper as the essence of great, soaring flames beneath Gothic arches, succeed in conveying some kind of emotional stimulus to the onlooker...
This brief caption, flashed on the screen, was all the warning U. S. cinemagoers had last week before the usually innocuous newsreel plunged them into such a bloodbath of visual horrors as few of them had ever imagined. Shown throughout the U. S. these were the first frankly gruesome newsreels of the Shanghai shambles to reach the U. S. Hundreds of feet of this hastily, dangerously made record had been ground out by cameramen under fire or within a few minutes after shellburst or bomb-explosion. They tell, as pitilessly as only the camera can, what war means...