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...Coetzee.“I wasn’t involved in The Advocate, The Signet, or any of those,” Dovey says. “I always found them very pretentious. I avoided them like the plague.”A joint concentrator in Social Anthropology and Visual and Environmental Studies, Dovey instead focused her creative endeavors on documentary filmmaking. Her senior thesis included a film on post-apartheid black economic empowerment projects on wine farms in her native South Africa.Dovey spent her early childhood shuttling back and forth to Australia with her family due to the death...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: Dovey Reveals Source of Novel Ideas | 4/17/2008 | See Source »

...draws the gaze to a horse's muzzle, and from there, up to the animal's penetrating eyes, which stare at the viewer in terrified accusation, as if to say, "Look at what you've done." Bloodspecked bodies crumpled at the bottom of each painting now form a single visual line and provide a graphic reminder that the French massacre of "innocent" militiamen occurred only after the Spanish had slaughtered their share of French soldiers. "Look at their faces: Goya doesn't present them as innocent," says Mena. "Violence begets violence...

Author: /time Magazine | Title: Goya: Terrible Beauty | 4/16/2008 | See Source »

...Where do Jews come from?” asks a character in the first act of “A Little Night Yiddish.” The play, written by Laura M. Togut ’08, may not answer this question, but it certainly gives the viewer a visual treat in its presentation of Yiddish theater and song. Despite a hard-to-follow plotline and technical difficulties related to the projection of English subtitles, the show was amusing and the cast was enthusiastic. Unfamiliarity with the Yiddish language or Jewish traditions didn’t prevent anyone from having...

Author: NO WRITER ATTRIBUTED | Title: One-Liners Translate in ‘Yiddish,’ But Plot Line Does Not | 4/14/2008 | See Source »

...something entirely different had happened. At the moment when Frederick had begun to feel his anger transform into something like ambivalence or even happiness, an image had flashed through his mind. Despite the visual feast which lay before him–the flickering light, the bejeweled tortoise on Felicity’s dressing table, the nude voluptuousness of his wife–it was a vision of that stable boy, shirtless, standing knee deep in a lake, playing a violin, which had appeared before him. It was this image above anything else which had brought him to the brink...

Author: By Lesley R. Winters, CRIMSON STAFF WRITER | Title: The Stable Boy | 4/14/2008 | See Source »

...acclaimed and multitalented filmmaker, composer, and conceptual artist. Last weekend, the Harvard Film Archive (HFA) welcomed Conrad in person to screen a selection of his films, and his eclecticism was readily apparent. His unconventional and experimental approach to filmmaking—which includes literally cooking film to yield different visual effects—has led to a long and varied artistic career. On Saturday April 5, he screened his seminal work “The Flicker” (1965), a black-and-white avant-garde piece. On Sunday, he opted for a selection of comical shorts, some of which featured...

Author: By Betsy L. Mead, CONTRIBUTING WRITERS | Title: HFA Hosts Avant-Garde Filmmaker | 4/11/2008 | See Source »

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