Word: vitas
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...Godard's Breathless and Fellini's la Dolce Vita open...
John Reitz and Paul Viita head up the epee, the Crimson's strong point in Marion's estimation. "Reitz is determined to do." he said. Vita is technically an excellent fencer, but he has not performed well in past competition...
...seem more precise, more tightly constructed, more acute. He has a film maker's sense of composition and a novelist's sense of rhythm and construction. The plot of One Fine Day is much like an anecdote by Chekhov. A middle-aged Milanese advertising executive (Brunette Del Vita) has led a smug and comfortable life of reasonable success with his job, with his family and his women. Two intimations of death destroy this placid equilibrium: a colleague is stricken with a heart attack at a staff meeting and the executive himself accidently runs over a construction worker...
Lehane also chronicles the vita activa of the flea as vaudevillian; the flea as athlete (one "can jump about 150 times its own length along, and about 80 times its length up"); the flea as spreader of plague and, in the case of the male, even as sexual tyrant. In mating, says Lehane, a man obviously sympathetic to the underflea, "he grasps her abdomen with his antennae, and sensuously brushes her parts with a wispy membrane. Then violence comes. Copulation lasts about three hours, sometimes as long as nine. ... So sharp and indelicate are the hooks and spines...
...anti-Fascist parody. But Fellini scholars who enjoy tracing autobiographical ghosts through the master's films may find that Satyricon is a dead end. "This is my most tiring film," Fellini admitted after completing a hectic three months of editing. "It is more anguishing than La Dolce Vita because that had reality. Satyricon is made from an unknown point of view. I have invented everything myself, a universe out of my mind. There is nothing where I recognize myself. If anything, it is a kind of auto-destruction." Novelist-Critic Alberto Moravia recognized some of the old Fellini trademarks...