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Word: vittie (lookup in dictionary) (lookup stats)
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...after image, making her one of the most pervasive "presences" in American art since Marilyn Monroe. Ada makes an early appearance in a black sweater, with the characteristic level stare, in 1957; by 1972, in Blue Umbrella No. 2, she is a creature of formidable glamour, radiating a Monica Vitti-esque wistfulness in the rain (the slightly blurred expression is given by the three highlighted dots on each pupil), her pink and red scarf an homage to Bronzino, a raindrop neatly mimicking a tear on her cheek. Katz can also be very good at holding large areas of color...

Author: /time Magazine | Title: Art: The Rockwell of the Intelligentsia | 4/14/1986 | See Source »

Lecturing is the least of the cultural exchanges in which Petworth engages. Struggling with Slaka's implacable bureaucracy, he plays an unwitting role in its intrigues and treacheries, despite the best efforts of his fond, exasperated official guide. He falls victim to the local peach brandy (rot'vitti), causing a sensation in a nightclub with an impromptu striptease. He attracts more than the routine attention of the state security police (HOGPo) as well as of most of the women he encounters, from the nymphomaniac wife of a British diplomat to a "magical realist" Slakan novelist who seduces...

Author: /time Magazine | Title: Books: High Currency | 11/14/1983 | See Source »

...sent to assassinate her-for Edwige Feuillère and Jean Marais, who played it on the Paris stage in 1946 and in a film version in 1948. Tallulah Bankhead brought it to Broadway in 1947 (but without her original costar, the young Marlon Brando). Thirty years later, Monica Vitti, whom Antonioni had made a star with L 'Avventura, would call on her old mentor to collaborate on the project for RAI, the Italian television network. But Antonioni saw no challenge in restaging the play. Instead, he would shoot the production on videotape, and then transfer it to film...

Author: /time Magazine | Title: Cinema: Raise the Colors | 9/28/1981 | See Source »

...Vitti and Branciaroli, two handsome and appealing actors, follow Antonioni's cue. There is little passion in their voices, even when the queen and Sebastian over come their initial distrust and become lovers to the death. No surprise here: Antonioni is the man who made aleatory music out of monotone in L'Avventura. But there is feeling aplenty conveyed through the vibrant orchestration of color. Each character is given his own "aura"-a kind of placenta of color that indicates his passion or humor. And every time the queen's mood changes, her surroundings change too, like...

Author: /time Magazine | Title: Cinema: Raise the Colors | 9/28/1981 | See Source »

...Vitti's wronged husband, a flamboyant but sympathetic producer, Raf Vallone is so appealing that it is hard to know why Vitti would forsake him. Whether he is arguing on the phone about Burmese distribution rights or comforting his wife in a time of need, the serpentine Vallone is a grand old charmer. We want to see more of him, but once Affair shifts from satire to bathos he fades away. There are too many such missed opportunities. Like other visitors to Cannes, Michael Ritchie arrived with good intentions, only to get so distracted that he forgot...

Author: /time Magazine | Title: Cinema: Cannes Game | 5/14/1979 | See Source »

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