Word: vittorio
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Dates: during 1980-1989
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...among the races. Ironically, the giant retailer now finds itself accused of racism. "Handcuffs do not convey brotherhood," says Donald Polk, president of the New York Urban League, which has been flooded with complaints about the ad from those who feel it depicts a black man under arrest. Says Vittorio Rava, Benetton's worldwide advertising head: "We thought of the campaign as anti-racist." Benetton's next series of ads will retain the racial-harmony theme but, says Rava, will be "sweeter...
Bertolucci and cinematographer Vittorio Storaro do well with the movie's scenes of debauchery and debasement. A master of capturing erotica, Bertolucci takes advantage of Pu Yi's early imperial splendor and later playboy lifestyle in Tienstin to give cinema some of the most sensual images since Bertolucci's own Tango. Bertolucci and Storaro follow the emperor and empress (Chen) as rich and powerful friends seduce them. While the emperor continues to foster megalomanic visions of regaining the throne, his wife takes to opium...
...same attention is lavished on the show's fashions. On a typical episode, Crockett and Tubbs wear from five to eight different outfits--always in shades of pink, blue, green, peach, fuchsia and the show's other "approved" colors --from such chic designers as Vittorio Ricci, Gianni Versace and Hugo Boss. "The concept of the show is to be on top of all the latest fashion trends in Europe," says Costume Designer Bambi Breakstone, who has just left for a trip to Milan, Paris and London to pick outfits for the coming season...
...Filumena Marturano (1946) and Inner Voices (1948), celebrated the earthy Neapolitan zest for life; of kidney failure; in Rome. Two of his screenplays, a segment of Yesterday, Today and Tomorrow (1963), and Marriage-Italian Style (1964), adapted from Filumena, both starring Sophia Loren and Marcello Mastroianni and directed by Vittorio De Sica, were among Italy's funniest film comedies of the 1960s...
...Night of the Shooting Stars. In 1944, a score of Tuscan villagers flee from the Nazis into a landscape of nightmare poetry. Italian Film Makers Paolo and Vittorio Taviani find aspects of nobility in every eccentric peasant...