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Word: vivaldi (lookup in dictionary) (lookup stats)
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...like a hammer . . . delicious, frightening." Her ultimate surrender proceeds, posture by posture, through moments of squeamish abandon on a dance floor to a New Year's eve when she sweeps downstairs in a feathery ball dress to find the narrow-hipped ne'er-do-well listening to Vivaldi. Somehow, he senses that she has never felt like a real woman...

Author: /time Magazine | Title: Cinema: Mother's Boy | 8/19/1966 | See Source »

...Easy as Lying. The recorder derives its name from the archaic meaning of the verb "record," that is, "to sing like a bird." Its origins have been traced to the 12th century, but its heyday came in the late 17th and early 18th century, when Bach, Purcell, Telemann, Vivaldi and Handel wrote a wealth of music for it. Shakespeare, Bacon, Milton and Pepys celebrated its endearing combination of solemnity and sweetness, and King Henry VIII was an avid noodler on his collection of 77 recorders. As orchestras grew larger, however, the gentle voice of the recorder was replaced...

Author: /time Magazine | Title: Instruments: Pipe with a Pedigree | 7/15/1966 | See Source »

...Vivaldi & Cold Compress. Normally, Segal casts his models in sections, but for Ethel he wanted to try just two casts, the first from the neck down. "Take a natural position," Segal urged. Ethel plunked herself down on a secondhand green velvet Victorian couch, one leg tucked under the other. Segal proceeded to swab down her arms, dress, legs and boots with petroleum jelly. Then, carefully dipping squares of cheesecloth in plaster, he began molding them to her body...

Author: /time Magazine | Title: Sculpture: The Casting of Ethel Scull | 4/1/1966 | See Source »

...soothe her, Segal played Vivaldi on the phonograph. "It was awful," she recalls. "After I got encased and began to harden, I couldn't feel my foot. It was numb. Then I couldn't move my hand. I began to itch. I knew this was an important piece, but all along I kept thinking, To hell with posterity...

Author: /time Magazine | Title: Sculpture: The Casting of Ethel Scull | 4/1/1966 | See Source »

Unfortunately, Vivaldi's second flute concerto was not the best vehicle to fully exhibit Miss Monson's brilliance. The solo part is too constraining; the tutti parts are too dominating. She was simply not able to shine the way she can when given the opportunity. This concerto is frequently referred to as one of Vivaldi's "xeroxed concertos"--those he cranked out for his orchestra of girl orphans. Of course, with Vivaldi even a "xeroxed concerto" is a gem; and, given their masterly soloist, the HRO might have made something of this one--if only the strings and the harpsichord...

Author: By Thomas C. Horne, | Title: The Harvard-Radcliffe Orchestra | 3/21/1966 | See Source »

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