Word: vivant
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Dates: during 2000-2009
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...glory years (1946-57), Jones directed about 100 cartoons, seven-minute mini-masterpieces of character shading and comic subtlety. Along with scriptwriter Michael Maltese, he created the bon-vivant skunk Pepe Le Pew, the beep-beep Road Runner and his perennially flummoxed pursuer Wile E. Coyote. They devised brilliant one-offs such as One Froggy Evening, a lovely parable of exploitation (whose singing star, Michigan J. Frog, later became the character logo for the WB network), and the sublime Feed the Kitty, about a bulldog's desperate attempts to protect a kitten prone to domestic disaster. Put that on your...
DIED. CAMILO JOSE CELA, 85, Spanish writer, bon vivant and 1989 Nobel laureate in literature; in Madrid. The flamboyant author pioneered "tremendismo," a raw writing style that Spain would claim as its own, though Cela's first work, The Family of Pascal Duarte (1942), was considered so violent it was banned in his country and first published in Argentina. The novel eventually became one of the best-read works of Spanish fiction since Cervantes' Don Quixote...
When you try to put a performance, a happening, a tableau vivant in a museum, what do you get? Very little; the thing is over and done with and the museum-goer mulls over the leftovers, the photographs and documents, like a detective looking over a reopened file. It's tough to present artists who work in the medium of willful impermanence: pity the curators. And hear what three such artists-ALLAN KAPROW, inventor of the capital-H Happening, PAUL McCARTHY, the most scatological performance artist now working, and VANESSA BEECROFT, best known for her work with large roomfuls...
...Silvia Pinal) who visits her lecherous uncle's estate before taking her final vows, the film is rife with blasphemous images: a cross that doubles as a pocketknife, a cross of thorns being tossed on a blazing fire, a group of mangy beggars assembling into a "Last Supper" tableau vivant. The Spanish government banned the film, but it was a worldwide success and reestablished Bunuel in the front rank of international filmmakers - and sacrilegious troublemakers...
Each vignette offers its own special pleasures. In the first, a dancing tableau-vivant of the Fragonard painting The Girl on the Swing, brings a disarmingly bawdy and slapstick flair to the more subdued trappings of the period. The second, which whimsically documents the liberation fantasies of a 1950s housewife, manages to disperse comic relief so widely that the result is not tragedy punctuated by humor but a remarkably entertaining dose of bittersweet...