Word: vivas
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Dates: during 1960-1969
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Shakepeare's longest play has for this production been trimmed to a running time of two and three-quarter hours. Missing entirely are the Dumb Show (for which I have never understood the need anyhow, for the same thing is immediately run through again viva voce), together with Fortinbras, Cornelius and Voltimand. While Fortinbras' absence does not seriously affect the main line of the plot, it does--since he is a foil to Hamlet--mar the architectonic design of the whole. The cuts have led to a bit of tinkering with the lines...
...Viva Las Vegas has the wholesome, mindless spontaneity it takes to create a successful Elvis Presley movie. This one gambles on hips, not chips. Chorus girls scamper through such neon fleshpots as the Stardust, Flamingo, Tropicana and Sahara, and Elvis himself, as wrinkleproof an example of modern packaging as anyone has yet produced, sings, dances, swims, water-skis, flies a helicopter and finally enters his baby-blue racing car in a big, exciting race referred to as the Las Vegas Grand Free...
...battalion of frock-coated military-academy cadets stood ramrod straight; eight mariachi bands and two brass bands took their positions. Fifteen thousand people milled around expectantly. Across the airport roof stretched a sign etched in blue flowers: "Francia y México par la Paz del Mundo-Viva Francia." Then out of a warm, clear sky whistled the white-and-blue-trimmed Caravelle carrying Charles de Gaulle. Down the steps he lumbered, over to a red dais, and to the first crack of a 21-gun salute, France's towering (6 ft. 4 in.) President leaned low and bussed...
...bronzes with her oils, she hopes to make a synthesis between the daydream illusion of oils and the rocky reality of sculpture. Like her oils, her metal figurines capture strikingly the singular event, the particular human being. "These for me," says Joyce Treiman, "are a summing up and a viva...
...written more than 200 scores. Leonard Bernstein's On the Waterfront and Alex North's Streetcar Named Desire were part of the same revolt. The Third Man's zither score had an insistent, mechanical inevitability that suggested a man out of control of his fate. Viva Zapata! rang with the violent sound of revolution, and Breakfast at Tiffany's, for which Henry Mancini wrote one of the best film scores ever, was lighted with a sweet ambiance that had the very taste of caviar...