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...Things are running very smoothly," Vivian Cheng '77, Secretary-General of the model U.N., said yesterday, "and the delegates are having a good time...

Author: By Harry W. Printz, | Title: Student Delegates Invade University | 12/11/1976 | See Source »

...Vivian Reed, a sizzling, sinuous singer-actress-clown-tap dancer, alone turns Bubbling Brown Sugar into a mousse to remember. She was singing gospel at churches around her native Pittsburgh by the age of eight, and studied classical music at the Pittsburgh Musical Institute before winning a three-year Juilliard scholarship. "I had aspirations of going to the Met and being Leontyne Price," she recalls, "but I switched to popular music and blues because it gave greater freedom of expression and I liked the audience." A veteran of the resort and supper-club circuit, she has a new album. Brown...

Author: /time Magazine | Title: Show Business: Welcome to the Great Black Way! | 11/1/1976 | See Source »

...never be sure of anyone at the Ritz-not Carmine Vespucci (Jerry Stiller), the homicidal brother-in-law, not even Vivian Proclo (Kaye Ballard), Gaetano's hysterical wife-but there is one thing certain: despite stiff competition from a very funny Jack Weston, Rita Moreno runs off with the movie, stashed under Googie's unconvincing wig. It is a combustible comic performance...

Author: /time Magazine | Title: Cinema: Bubble Bath | 8/30/1976 | See Source »

Streetcar remains classic, not so much for the vehicles provided in Blanche and Stanley Kowalski, but for the way Vivian Leigh and Marlon Brando take personal possession of them. Only Leigh could have pulled off all those "I don't want realism, I want magic" lines with such charm. And Brando, in his first major role, delivers a lecture on the Napoleonic Code itself worth the price of admission. Neither role is burdened with too much realism; but, like Blanche, Williams works best with magic and myth. Or, to cop another duBois-ism, "50 per cent of this film...

Author: By Mark T. Whitaker, | Title: Film | 8/13/1976 | See Source »

What color is a chameleon? Every man's Brecht turns out to be his own. The production of Threepenny Opera at Manhattan's Vivian Beaumont Theater, shaped with satanic brilliance by Director Richard Foreman, is abrasive, stylized and sinister. Brecht's message -sprayed on the stage like graffiti on a subway train-is that the underworld of rapacious thieves, fawning beggars and mercenary prostitutes is an exact mirror image of property-minded, shark-toothed bourgeois society...

Author: /time Magazine | Title: The Theater: Sonata for Sharks | 5/17/1976 | See Source »

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