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Before Joseph Papp took over New York's problem-plagued Vivian Beaumont Theater in 1973, Brown was considered for the job, but insists he would not have taken it. Says he: "The director of Lincoln Center is a driven man." He adds, "I think all good work in the theater comes from relaxation. At Long Wharf I have New York exposure when I want it and a board of directors who understand that theater today, like opera and ballet, is not going to make money." Although Long Wharf now plays to 90% capacity in an eight-month season...

Author: /time Magazine | Title: The Theater: Sweet Dreams | 1/6/1975 | See Source »

...barbed honesty that obviously unsettled some of the playgoers who hissed and booed it on opening night, as well as several of the critics. Declaring a personal auto-da-fe WNEW-TV's usually commonsensical critic Stewart Klein declared that he wished to burn Lincoln Center's Vivian Beaumont Theater and Director-Producer Joseph Papp...

Author: /time Magazine | Title: The Theater: Tweaking Raw Nerves | 11/18/1974 | See Source »

There is a handsome new five-LP album, Charles Ives, the 100th Anniversary (Columbia; $27.98), which includes some of Ives' own piano performances and has already worked its way onto the classical bestseller lists. Best of several new books is Vivian Perlis' Charles Ives Remembered: An Oral History (Yale University Press; $12.50), a compilation of interviews with 57 school chums, business associates, relatives and musicians who knew him as well as anyone could know a reticent and often crusty New Englander...

Author: /time Magazine | Title: Music: Ives the Innovator | 11/4/1974 | See Source »

...VIVIAN LEITZELL...

Author: /time Magazine | Title: Letters, Jul. 1, 1974 | 7/1/1974 | See Source »

Many very Greek things are maintained in this play. Instrumental music is supplied by a single flutist, Vivian Ducat, as was done in Athens. There are no set changes and scenery is kept to a minimum. Most importantly, the language is maintained so that when we hear a rush of flowing Greek words, we know instinctively what they mean in a way that could not be reproduced by any other words...

Author: By Sydney P. Freedberg, | Title: Attic Theater | 5/3/1974 | See Source »

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