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Word: vividly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Died. Jean Puy, 84, French painter who, with Matisse, Derain, Vlaminck and Braque, launched the style of vivid colors and simplified shapes, created such a scandal at the famed 1905 Salon d'Automne exhibition that they were dubbed Les Fauves (the wild beasts); in Roanne, France...

Author: /time Magazine | Title: Milestones, Mar. 21, 1960 | 3/21/1960 | See Source »

Maze of Mirrors. What emerges from Bergman's personal and passionate process of creation bears small resemblance to the Hollywood product. Often Bergman's images are sudden, vivid, enigmatic. His camera makes a running and usually ironic comment on the action. He tells his story in subtle cadences of closeups ("What interests me is the face"), letting his camera move surely, sensitively with the flow of feeling and expression. There is a kind of stillness sometimes even in violence, a magic even in the commonplace...

Author: /time Magazine | Title: THE SCREEN: I Am A Conjurer | 3/14/1960 | See Source »

...Attic (by Lillian Hellman) slaps a slumped, lethargic theatrical season into awareness. The reason is not just that Toys has a sense of tautness, insight and power; it also has a pervasive sense of playwriting. It constitutes a dramatic journey, with a destination, rather than a mere series of vivid theatrical way stations. And it so clearly reaches its destination that its finest moments are its concluding ones. This alone is outstanding in a Broadway theater world that, even when it knows where it is going, too often about-faces when it gets there...

Author: /time Magazine | Title: The Theater: New Plays on Broadway, Mar. 7, 1960 | 3/7/1960 | See Source »

...production, stars Jane Fonda, 22-year-old daughter of Henry. In the original script, she shared a motel bed with a rapist (Sean Garrison), and four-letter words crossed the footlights like crossbow bolts. That was too much for the mothers and fathers of Boston, whose reaction was so vivid that the language was cleaned up and the motel scene changed...

Author: /time Magazine | Title: THEATER: Report from the Road | 2/15/1960 | See Source »

...with You One Hour Tonight and You're Driving Me Crazy. There is a growling, brassy quality under even the floating notes, and the words and phrases are often bitten off or stretched into a kind of slurring leer, but at her best Singer Reese projects a vivid image-that of a tender roughneck who wears her heart square on her agitated chest, where it belongs...

Author: /time Magazine | Title: Music: Pop Records | 2/8/1960 | See Source »

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