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Whatever the scientific merits of the study, Wallerstein and co-author Sandra Blakeslee provide vivid portraits of just how devastating divorce can be for children. Deborah, for example, saw her parents split up when she was five, shortly after her father beat up her mother. Fifteen years later, she is a top student in college, but she has a habit of falling in love with "jerks." Deborah says her latest boyfriend really loves her: "I know he cares about me because he hits...

Author: /time Magazine | Title: Behavior: The Lasting Wounds of Divorce | 2/6/1989 | See Source »

...eight had the vibrations of earthquake about it. America shuddered. History cracked open: bats came flapping out, dark surprises. American culture and politics ventured into dangerous and experimental regions: uplands of new enlightenments, some people thought, and quagmires of the id. The year was pivotal and messy. It produced vivid theater. It reverberates still in the American mind...

Author: /time Magazine | Title: Introduction | 2/2/1989 | See Source »

...that the pastoral mode is on its last legs today, weakened by irony and excess self-consciousness; although a vivid little tablet of color by Howard Hodgkin, In the Public Garden, Naples, 1981-82, argues that it can still be used without a false note. But this show leaves no doubt about how much it mattered to earlier generations of artists or how enduringly grounded in man's desire for consolation it proved...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

...this worth such an indulgence of our wealth? Virtually no one argues -- not the tourists, not Congress and certainly not the Reagans. They have probably done more than any other First Couple to make the house reflect America's heritage, from Charles Russell's vivid Western scenes to the Gilbert Stuart portrait of Washington, the first painting put in the new White House in 1800 and the only one saved when the British burned the place...

Author: /time Magazine | Title: The Presidency: The $50 Million Face-Lift | 12/5/1988 | See Source »

...Jeffrey DeMunn) is genial enough -- a mildly successful photographer who deflects his son's attempts to romanticize him -- although his affability fades into meanspirited vehemence at the least challenge to macho authority. The exceptional person in this triangle, and the reason Weller's play can arouse memories just as vivid for onlookers as for him, is the mother Elise, played by Kate Nelligan...

Author: /time Magazine | Title: Theater: Glamour in A Housecoat SPOILS OF WAR | 11/28/1988 | See Source »

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