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...composer Karlheinz Stockhausen liked to say he was born on a planet near the star Sirius, and for fans of his abstract, complex music, it was a plausible theory. He made his name in the 1950s as a pioneer of electronic sound and went on to compose such big, vivid pieces as Light, a 29-hour, seven-part opera that took him 30 years to finish, and Groups, played by three separate orchestral ensembles at once. An influence on musicians from John Lennon to Björk, Stockhausen made news in 2001 for a comment suggesting that the 9/11 attacks were...

Author: /time Magazine | Title: Milestones | 12/13/2007 | See Source »

...first half of the plot—ends tragically, with a crime and a wrongful accusation that will alter the course of all their lives. The visual composition of the estate scenes is stunning, and the spectacular cinematography remains consistenly impressive throughout the entire film. Bright, vivid shots contrast with soft lighting, reflecting the characters’ range of emotion during the first half. The editing of the film also emulates the novel’s perspectival changes as well as its frequent flashbacks. Visually, McEwan’s novel translates wonderfully to film. The score deserves praise...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: Atonement | 12/7/2007 | See Source »

...essays, Sacks introduces a range of bizarre and captivating characters. For example, there is the former college football player who, after getting hit by lightning (literally), becomes possessed with an “insatiable desire” to listen to and compose classical music; the elderly woman haunted by vivid “musical hallucinations” of lullabies from her childhood; the Tourette’s patient who finds an outlet for his tics by playing the piano; and the severely amnesiac musician who, despite having only a seven-second memory, can still find peace of mind by playing...

Author: By Jacob M. Victor, CRIMSON STAFF WRITER | Title: Sacks Discovers Harmony In Music and Mind | 12/7/2007 | See Source »

...mediating Andermans' love life. Of the university dining hall, Andermans notes: "Friday's pizza was not a food item but a search engine, topped with the mercilessly burnt memories of everything that had been on the past week's menu." De Heer, describing a bombed-out house, is equally vivid: "On a metal table in one of the rooms I spot a typewriter, the type bars warped by rust, a thorny bush of twisted language screaming to the heavens...

Author: /time Magazine | Title: Hot Fusion: Omega Minor | 12/5/2007 | See Source »

...American or European designers for those markets. "We wanted to deliver a made-in-Japan value that could come only from Japanese designers," says Taisuke Saeki, who heads Sharp's audiovisual-design department. Still, the company wanted to adapt to a local aesthetic. Research showed that Westerners prefer vivid, crisp, dynamic design, while Japanese look for seamless precision and an organic feel. Think of it as the difference between a Cadillac and a Prius...

Author: /time Magazine | Title: Sharp's Way of Reshaping Television | 11/29/2007 | See Source »

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