Word: vividly
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...ORGANIZER. Director Mario (Big Deal on Madonna Street) Monicelli's vivid, moving, timelessly beautiful portrait of 19th century Italy comes into sharp focus on Marcello Mastroianni, demonstrating his remarkable versatility as a socialist Savonarola who leads Turin textile workers in a strike that fails...
EUROPEAN MAINSTREAMS-Lefebre, 47 East 77th. A look at some of the major trends in European art today. Cobra Painters Corneille, Jorn and Alechinsky turn vivid hues and vivacious imaginations into Dutch gardens and smirking faces. Noel, Dahmen and Castel scratch calligraphy in mixed media to achieve image with script. Frenchmen Messagier and Tal-Coät recall nature's misty moods in abstract landscapes. Belgian Pol Bury puts chance to work in moving sculpture. Julius Bissier's refined watercolors and temperas round out the show. Through July...
Stringfellow knows what he is criticizing. A former member of the group ministry at the famed East Harlem Protestant Parish, he lived and practiced law for more than six years in a $24.30-a-month flat in Spanish Harlem. In My People, he writes with vivid feeling and detail about what it means to exist in Manhattan's Puerto Rican ghetto, and how the slums are preserved by sloth, corruption and civic indifference-Mayor Robert Wagner, he notes, is a man of "extravagant apathy...
...showing that a dialogue is in process. Although both books are forbidding in tone and terminology, the editors argue that the problems considered are not purely academic. Far from being a blue-sky issue, hermeneutic grapples with something that faces every preacher-how to make God's word vivid for a congregation-and represents a link between the pastoral ministry and academic theology. Says Robinson: "The new hermeneutic is designed to help the pastor do what he's paid to do: to tell people about Christianity in terms of their own lives...
Metaphysically Close. The revival of Strauss's music is a vivid demonstration that his claim on modern audiences is genuine. His songs are colorful and metaphysically close to the spirit of their texts. His operas are both sensuous and profound. His orchestral works are harmonically infallible. The music he wrote at 80 is clearly the work of the man who at 24 wrote Don Juan: the work of 60 years is united by an amazingly steady vocabulary. But Strauss saved for the end the most revealing expressions of his artistic philosophy. Having been judged a walking anachronism, he felt...