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JOURNALISM these days is a changing craft. Television, with its on-the-spot and vivid coverage of the biggest news events, has not only eliminated newspaper extras but has made superfluous much old-fashioned "color" writing. (It has affected us too: a reader will find far fewer descriptions in TIME than in the past of heads of state stepping down from planes or getting into their limousines.) But an even greater change has been the public's increasing interest in what were once regarded as distant or complex subjects, and here a weekly magazine has an advantage over...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 16, 1962 | 2/16/1962 | See Source »

...been given permission to make a brief visit to the Hamburg Opera. Heinrich turned the key on the apartment and all their possessions, next morning boarded the Hamburg Express. Last week Heinrich sat proudly in the third row of the Hannover Opera House watching his wife give a startlingly vivid performance in Alban Berg's Lulu. Coloratura Carroll's flight had ended in the beginning of a fine new career...

Author: /time Magazine | Title: Music: Lulu from East Berlin | 2/9/1962 | See Source »

Much of the Salan story's vivid reporting of the look and feel of Algeria during its ugly three-way war is the work of TIME Correspondent Edward Behr. 35, who was educated in Paris, London, and Cambridge, served in the British army in India, and worked for Reuters. For the past four years, he has covered Algeria and the rest of North Africa for TIME. This week W. W. Norton publishes Behr's The Algerian Problem ($4.50). The book recently appeared in England, where both the Manchester Guardian and the London Sunday Times praised...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 2, 1962 | 2/2/1962 | See Source »

...vivid contrast to Welles the Wunderkind, the Telepix offers up Eisenstein, the past master; and by this stage in his career, Eisenstein's mastery had definitely passed. In Part I, lumbering and contrived as it is, at least one can take pleasure from the intricate visual patterns that Eisenstein creates; in Part II, all that remains is a bevy of intolerably melodramatic actors wearing ludicrous hills of fur, droning like a Russian language record played at too slow a speed, and walking with all the grace of Kate Smith in a cha cha contest. In addition to this, Eisenstein switches...

Author: By Raymond A. Sokolov jr., | Title: Citizen Kane and Ivan, Part II | 1/26/1962 | See Source »

Shima's background became known only when the paper, impressed by his "great promise," decided to learn more about its hit writer. While his verses in translation lose the rhythm and most of the overtones and associations that the original words have for the Japanese, they nonetheless give vivid insights into an unhappy past and remorseful present. After a lonely childhood, Shima fell in with young hoodlums, served two years in reformatories and jails before stabbing a farmwife to death during a 1959 burglary. He writes...

Author: /time Magazine | Title: Japan: Ballads of Tokyo Jail | 1/19/1962 | See Source »

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